Here’s another of Dylan’s early classics, the title cut from his 1965 album Highway 61 Revisited. This was Dylan’s first “rock” album, with only closer ‘Desolation Row’ recorded on acoustic instruments.
‘From a Buick 6’ is the fourth track on Bob Dylan’s classic 1965 album Highway 61 Revisited. A rollicking blues romp fueled by Al Kooper’s distinctive work on the organ, this is a bawdy and hilarious jolt of adrenaline on one of the greatest albums of all time.
Apparently ‘From a Buick 6′ was Steve Jobs’ favorite song, or at least he said as much during one of his celebrated Apple product presentations.
Highway 61 Revisited – Bob Dylan (1965)
It never ceases to amaze me that Bob Dylan’s Highway 61 Revisited was released just five months after Bringing it all Back Home. And to top that off, The Beatles released Help! and Rubber Soul in the four following months.
How amazing must it have been to be a music fan in the mid-60s? Not just every year but seemingly every month brought some new masterwork by a rotating cast of artists who were in the process of defining popular music.
Kids today get what? Justin Bieber and Katy Perry?
I deliberately avoided mentioning ‘Like a Rolling Stone’ in my write-up of Highway 61 Revisited yesterday because I didn’t want to steal the thunder from today’s post. That’s a bit like writing about Michaelangelo works displayed in Florence without mentioning the David.
For all of the many genres and musical styles Dylan has explored, all of the topics he’s covered, ‘Like a Rolling Stone’ remains in many ways the quintessential Dylan song. It was voted as the #1 song of all-time in a Rolling Stone survey of musicians and critics published in 2004. And whether or not you share that opinion, it’s impossible to deny that it’s one of the few songs that unquestionably deserves to be in the running.
In late August of 1965, five months after the release of Bringing It All Back Home, Bob Dylan unleashed Highway 61 Revisited upon the world. Let me repeat that… five months after Bringing It All Back Home. Two of the finest albums not just in this man’s discography but in all of recorded musical history were released within a half year of each other.
That’s like if Steven Spielberg has released Jaws in July and Raiders of the Lost Ark in December. It almost doesn’t seem fair (and it gets even crazier, as I’ll point out next week).