It took the breakup of Ariana Grande’s engagement to land her her first Billboard #1 single. Just minutes before the episode of Saturday Night Live where Pete Davidson acknowledged the unlikely couple’s split, Grande dropped this sweet ode to her exes.
In the first verse, she namedrops her four celebrity mates: Davidson, rapper Big Sean, dancer Ricky Alvarez, and late rapper Mac Miller. She doesn’t specify which taught her love, patience or pain, or why one of the four apparently didn’t teach her anything.
Miranda Lambert’s final solo track on the new Pistol Annies album is her most straight-forward response to date to her divorce from Blake Shelton.
This beautiful ballad explores the end of a relationship that existed entirely in a spotlight. She compares their marriage to a framed painting, a rodeo and a country song — all objects of public scrutiny. She recognizes that, in the general conversation, her love affair was a fleeting diversion: “We’re just another thing they’ll all forget about / They’ll be standing around laughin’ like nothing ever happened.”
Pistol Annies’ third album, Interstate Gospel, dropped last week and, no surprise, it’s another wonderful collection of traditional country music with a strong feminist bent.
Not to shortchange Ashley Monroe and Angaleena Presley, who are both very talented, but this album is further proof that everything Miranda Lambert touches turns to gold.
Funny coincidence as today’s random iTunes selection is a song my family was jamming to during a drive to the mall just hours earlier.
‘Steven’s Last Night in Town’ is a standout song on an album full of standout songs, Ben Folds Five’s sophomore release Whatever and Ever Amen. It’s about record producer Stephen Short, a friend of Ben Folds who came to visit and never left. As Folds recalls, “we must have thrown five or six going-away parties for him.”
‘Automatic Systemaitc Habit’ is the lead track on Garbage’s 2012 album Not Your Kind of People, their first record after a seven-year hiatus.
Garbage is very much a late 90s band, with their first three (and best three) albums coming out between 1995 and 2001. 2005’s Bleed Like Me was a misstep and for a while seemed like the end of the band. But this album showed a renewed spirit and a sound very much like the one they mastered back in the day.
I’m not sure why Vance Joy dodn’t come to mind when I wrote about future one-hit wonders a few weeks back. His ‘Riptide’ didn’t make a huge splash in the U.S. (it peaked at #30 on the Hot 100) but it got a lot of airplay and struck the same indie-pop nerve as ‘Somebody That You Used To Know’ and ‘Take Me To Church.’
Our next Bing Lounge performance comes courtesy of the Los Angeles-based Haim sisters: Este, Danielle and Alana.
I don’t love everything Haim does but I really like their style (musically and otherwise) and the whole Southern California art school vibe they exude.