The week of April 5, 1966, found The Righteous Brothers enjoying their second (and last) #1 hit, ‘(You’re My) Soul and Inspiration.’ Two years earlier, the duo reached the top spot with ‘You’ve Lost That Lovin’ Feeling.’
You might have guessed the other #1 was 1965’s ‘Unchained Melody,’ but that classic peaked at #4. The Righteous Brothers’ other two top ten hits were ‘Just Once in My Life’ and ‘Ebb Tide,’ both also released in 1965.
Throwing back to the week of April 5, 1956, we find a couple of repeats atop the singles chart in ‘The Poor People of Paris‘ and ‘Lisbon Antigua.’
At #3 that week was Perry Como with ‘Hot Diggity (Dog Ziggity Boom).’ This is Como’s fourth appearance on Throwback Weekends, and if this series stretched back into the 40s and early 50s he’d have a lot more.
Incidentally, I have written more than 300 Throwback Weekend posts now, making that category second only to Random Weekends, which numbered over 1,000.
I’m much more of a movie guy than a TV guy. I’m fully aware that the small screen features some of the greatest creative work being done these days, but it’s just not my preferred medium. I suppose it’s the time commitment and the uncertainty of renewals that keeps me from signing on to new shows.
I’ve certainly made exceptions. Breaking Bad is one of my all-time favorite achievements in any medium, and Better Call Saul nearly matched its brilliance. And my daughter and I remain devoted fans of Survivor 25 years into its run.
I’ve noted that the 2026 movie year is off to a great start, and I’m just as excited by the number of promising titles still to come. I’m especially heartened to see the number of large-scale blockbusters by big-name directors on the horizon — it gives me hope that box office receipts, sagging since COVID, will finally bounce back.
Following are 25 movies I’m looking forward to this year. Note that most of these are sequels and/or high-profile, star-driven projects — that’s because those titles grab release dates early for marketing purposes. Certainly many more worthy films, including indie and foreign releases, are bubbling up under the surface. So what follows is just the tip of an encouraging cinematic iceberg.
I mentioned in Monday’s post that 2026 has been the best start to a movie year in as long as I can remember. Through the first three months — usually a dumping ground for a studio’s weakest material — I have seen more than a half dozen films I can wholeheartedly recommend and a handful more that are at the very least interesting.
Two of those movies will almost certainly make my year-end top ten list: Nirvanna The Band The Show The Movie and 28 Years Later: The Bone Temple. And if they don’t, that will mean the rest of the year is lights-out good.
Meet Me In Montauk 