Song of the Day #4,225: ‘Celebrate’ – Lorne Balfe

Best Movies of the 2010s
#4 – The Florida Project (2017)

For a couple of months at the beginning of 2018, I watched The Florida Project nearly every day. After missing its 2017 theatrical run, I caught up with Sean Baker’s tragicomedy on a long flight and was instantly blown away. When I returned home, I bought the Blu-ray and had the movie on repeat every free moment I got.

More than anything, I just wanted to spend time with its characters — Halley and Moonee, a mother and daughter living in a cheap motel outside of Disney World. Baker and his actors (newcomers Bria Vinaite and Brooklynn Prince) so effectively brought this world to life that I couldn’t bear to leave it.

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Song of the Day #4,224: ‘When I Was Older’ – Billie Eilish

Best Movies of the 2010s
#5 – Roma (2018)

Before diving into my top five movies of the last decade, I have to say that ordering these titles was truly a bitch. I have had each of the five in the top spot at one time or another, and every time it felt exactly right. These are five very different films, all perfect in their own unique ways.

Alfonso Cuaron’s Roma is the most ambitious achievement of the bunch — the capital-F Film. It earned Cuaron Oscars for Direction, Cinematography and Foreign Language Film, and had a fighting chance of becoming the first non-English movie to win Best Picture.

But don’t hold any of that against it!

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Song of the Day #4,223: ‘Camouflage’ – Selena Gomez

Selena Gomez just released a new album, Rare, that I played once in the background the day it came out. It’s receiving some of the best reviews of her career, and I owe it another listen.

In the meantime, here’s a track from Gomez’s 2015 album Revival, which I like very much.

Following this album, Gomez suffered from physical and mental health issues tied to lupus. She checked herself into rehab to treat her depression and anxiety attacks.

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Song of the Day #4,222: ‘Supersymmetry’ – Arcade Fire

I didn’t have much to say about today’s random selection, the final track from Arcade Fire’s 2013 album Reflektor. But then I realized it was originally written for the Spike Jonze movie Her and shows up during that film’s end credits, so that gave me a bit of a hook.

Her is one of a handful of films from the last decade that I wish I had revisited before compiling my ‘Best Movies of the 2010s’ list. It’s not that I think it would have a fighting chance of making the list, but it’s a movie I feel I owe a reconsideration.

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Song of the Day #4,221: ‘Ali Baba’ – Louie Ramirez

Best Movies of the 2010s
#6 – Chef (2014)

In 2011, Jon Favreau directed Cowboys & Aliens, a big, dumb, expensive studio movie that failed to connect with critics and audiences alike. That movie is not on this list.

Cowboys & Aliens is, however, indirectly responsible for my #6 film, 2014’s Chef. That’s because Favreau, tired of the creative constraints accompanying big-budget moviemaking, decided to go back to basics, writing and directing a cheap, personal movie instead. And that movie is a goddamn marvel.

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Song of the Day #4,220: ‘Soju One Glass’ – Choi Woo-shik

Best Movies of the 2010s
#7 – Parasite (2019)

Last year was so great it has landed two films on my top ten of the decade list. It’s tied with five other years with three titles overall in my top 20. As I mentioned in the Knives Out post, I believe 2019 will be looked back on as a landmark year for cinema the way 1999 is now. I wonder if there is something special about the final year of a decade or if it’s just a coincidence. Probably just a coincidence.

My favorite film of 2019 was Bong Joon-ho’s Parasite. I seem to share that opinion with many critics and audience members alike, based on the film’s performance in top ten lists, award shows, Rotten Tomatoes and the box office. Sometimes a movie works so well you just can’t deny it.

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Song of the Day #4,219: ‘Run Rabbit Run’ – Flanagan & Allen

Best Movies of the 2010s
#8 – Get Out (2017)

Jordan Peele’s Get Out is one of two directorial debuts in my top ten. Peele displayed such an expert command of the medium right out of the gate. I imagine he picked up a lot of these instincts on the set of Key & Peele (where he was a writer but not a director), because that show often toed the same line of comedy and surreal horror.

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