Like the Decades series, my posts on the Rock & Roll Hall of Fame classes have allowed me to look back through time to celebrate artists I love and discover ones I don’t know very well.
The Rock Hall is certainly a flawed institution weighed down by biases and inconsistencies, but if nothing else, it’s an excuse to recognize the contributions of a wide range of talented musicians.
One of the ongoing projects I’m proudest of is the Decades series, in which I count down my favorite albums from a given year and then explore 10 (or more) albums from the year with which I’m unfamiliar.
I started with my birth year, 1972, then jumped ahead through the decades to 1982, 1992, and 2002. At the time (11 years ago) I didn’t know how far I’d take it. Now, I think it’s become one of the defining features of Meet Me in Montauk.
Continuing my sneak peek at some new developments on the site, I direct you to the new ‘Albums’ index.
That is where you’ll find my in-depth coverage of specific albums, including those I have given the ‘one post per track’ treatment (longtime readers will recall the less-than-enthusiastic response I got for dedicating so much time to Arcade Fire’s The Suburbs and Lucinda Williams’ The Ghosts of Highway 20).
My mother will be happy to see Frank Sinatra’s Watertown given a nice display.
I’ve been sprucing up this site over the past couple of months, mostly in the background: cleaning up expired YouTube embeds, cross-linking posts, building landing pages for my various collections.
This week I’m calling attention to some of those new features, in the hopes that both established and new readers will find it easier to navigate the site.
During the week of September 6, 1966, The Supremes held the #1 spot on the Billboard Hot 100 with ‘You Can’t Hurry Love,’ covered on the blog a full 17 years ago. At #2 was Donovan’s ‘Sunshine Superman,’ which appeared just last year.
At #3 that week was The Beatles’ ‘Yellow Submarine,’ the lone single released by the band from that year’s Revolver. Normally, The Beatles would release a non-album song as a promotional single accompanying a new release, but in 1966 they were burned out enough to just go with an album track.
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