Those songs, along with eight tracks he recorded for Leeds Music, were released in 2010 as the ninth volume of Dylan’s Bootleg Series. The collection features some of the earliest versions of beloved classics along with lesser-known and previously unheard tracks.
The Random iTunes Fairy is in a Nashville Skyline mood. Just three weeks back, she served up the song ‘Peggy Day’ from Bob Dylan’s 1969 country-folk album. And today she’s back with another song from the same collection.
I don’t have much to say about this track, as I didn’t about ‘Peggy Day’ three weeks ago. This might be the Dylan album that invites the least dissection. It’s a simple, fun listen.
Ironically, Dylan chose to release a gentle country album during one of the country’s most tumultuous eras. Whether it was a deliberate retreat from his protest singer roots or just where his muse happened to take him, it was as odd and unexpected as most of Dylan’s career moves.
Perhaps in honor of that new release, the Random iTunes Fairy decided to dip back into Dylan’s previous album, 2017’s Triplicate, a three-disc tour through the Great American Songbook, and Dylan’s third straight album spent covering standards.
This album, and its predecessor Good As I Been To You, fulfilled a recording contract Dylan had signed five years earlier and can reasonably be looked at as a low-effort way of meeting that obligation. But the entirely acoustic recordings feature some wonderful performances. World Gone Wrong even won a Grammy, for Best Traditional Folk Album.