This cover of Al Green’s ‘Take Me to the River’ was the top single from Talking Heads’ 1978 sophomore album More Songs About Buildings and Food (I love that title!).
The song hit #26 on the singles chart, making it their third best performer ever, behind ‘Burning Down the House’ and ‘Wild Wild Life.’ The band also released a terrific live version of ‘Take Me to the River’ on their 1984 concert album/movie Stop Making Sense.
It’s appropriate coming off three weeks dedicated to 1973 that today’s Random Weekend selection appears on another album from that year.
Band on the Run was the third album by Paul McCartney & Wings and their most successful. It is also the top-selling album of McCartney’s career outside The Beatles, reaching the #1 spot in five countries.
The self-titled New York Dolls debut, released in July of 1973, is considered one of the greatest rock albums (and one of the greatest first albums) of all time.
This band, and this record, influenced countless acts in the rock and punk worlds, from Kiss and the Sex Pistols to Guns N Roses and The Smiths. It reminds me of the line people use about The Velvet Underground’s debut, “not many people bought it, but everyone who did started a band.”
I’ve never been a fan of Steely Dan. I enjoy a lot of artists and genres that are Steely Dan-adjacent (I’m even into Donald Fagen’s solo work) but for some reason the band itself has always left me cold.
In fact, Steely Dan leaves me so cold that this is — astoundingly — the first ever song of theirs I’ve featured on the blog. Eleven years and more than 4,100 posts without a single ‘Hey Nineteen,’ ‘Deacon Blues’ or ‘Do It Again.’ That’s dedication to not giving a damn about Steely Dan!
I’ve spent a fair amount of time with The Rolling Stones’ catalog, after coming to them a little late in my musical life. I know seven or eight of their albums very well, including the half-dozen classics they released between 1966 and 1972.
Somehow, though, I never got around to 1973’s Goats Head Soup. Maybe that’s because, as the follow-up to Exile on Main St. and the start of a half-decade period considered their first creative slump, it just doesn’t have the cachet of the rest of their work.
Meet Me In Montauk 