In one of those weird Random Weekend coincidences, the Random iTunes Fairy has served up a song from Brad Paisley’s sophomore album the day after landing on one from his debut. The odds of a song from 2001’s Part II following yesterday’s selection were 1 in 1,010.
The mischievous Fairy chose to land on the corniest song on that album, and perhaps the corniest song in Paisley’s whole catalog.
Here’s a simple heartbreak track from Brad Paisley’s debut album, 1999’s Who Needs Pictures.
Listening to the song in preparation for this post, my first instinct was to offer it up for one of my favorite musical game shows: Dead or Dumped? Is this song about a man who broke up with his girlfriend/wife, or a man who suffered through her death?
My #4 album of 2003 is Brad Paisley’s third studio album, Mud on the Tires. This was one of the first Paisley records I bought after discovering him through 2009’s American Saturday Night, and it remains my second favorite of his (again, after American Saturday Night).
This was the album where Paisley fully embraced his unique oddball persona. He serves up a few earnest love songs, a few traditional country ballads, a few joke songs, and a few complex instrumental tracks, and somehow makes it all fit together in one package so it makes sense.
My first quarantine movie challenge was to watch all of the films on the American Film Institute’s list of 25 essential musicals. I ranked those movies in a series of posts a month or so back.
For my next COVID-era cinematic trick, I have rewatched (or watched for the first time in a few cases) every Pixar movie in chronological order, ranking them as I went. I already had a Pixar ranking, so part of the fun of this exercise was seeing how these films moved up and down the list.
The movies don’t change, but we do, and sometimes we experience something differently years later based on any number of factors. As I offer up my list over the next three weeks, I will note how much each title shifted from my previous ranking.
Here’s an interesting track from Brad Paisley’s 2013 album Wheelhouse. It’s a modern-day gospel song by a man who is a regular churchgoer himself, but it’s told from the perspective of a non-believer.
Paisley spends the song’s first four verses mocking “those crazy Christians” for their devotion, but then has to give them credit for their commitment to caring for people they’ve never even met.