I rank Time Well Wasted as Paisley’s third best album, following American Saturday Night and Mud On the Tires.
I discovered Brad Paisley in 2009 after the release of his best album, American Saturday Night. That album opened my mind to country music in general and I have since sought out and loved the music of quite a few artists in the genre.
I also gobbled up Paisley’s previous work and found those albums, especially Mud on the Tracks and Time Well Wasted, just as fresh and exciting. In 2011, Paisley released This Is Country Music, and while it wasn’t the equal of those other albums it was damn close.
Brad Paisley took out Lana Del Rey in Round One of Montauk Madness, and now he faces another enigmatic female singer-songwriter in Fiona Apple. Apple is both a better singer and a better songwriter than Del Rey (which is high praise for her, not a shot at Del Rey), but does she have the stuff to take out one of country music’s leading men?
Paisley picked up 75% of the vote in defeating Del Rey, while Apple defeated another female singer-songwriter, Dar Williams, with 80%. Continue reading
Here’s another track by a recent contender in Montauk Madness. Brad Paisley held an early lead over Lana Del Rey, but did he hang on to win? And will those turned off by this full-throated celebration of beer-swilling, football-watching country music fans regret voting for him over the enigmatic chanteuse?
This song is a good example of why I ultimately voted against Paisley. He’s good for one or two of these anthems per album, and that feels way too much like a formula. Continue reading
Brad Paisley vs. Lana Del Rey seems like an entirely left-field matchup in Montauk Madness, but given Paisley’s track record of collaboration, I would not be at all shocked if these two paired up on his next album.
Paisley was the first true country artist I loved, a journey I chronicled in this blog entry after the release of American Saturday Night. That album and the few that preceded it are all classics of the genre.
But if I did, I’m rescinding it now, not because this track from Brad Paisley’s largely instrumental album, Play, is particularly special, but because I don’t see any reason why songs with vocals should be deemed more legitimate than those without.
The singer is mourning the loss of a loved one, but is it a death or a break-up? The lyrics favor either interpretation.
So do the YouTube comments, which contain tales of best friends who no longer speak, dumped boyfriends and girlfriends and people who’ve lost members of their family.