Song of the Day #4,229: ‘Those Crazy Christians’ – Brad Paisley

Here’s an interesting track from Brad Paisley’s 2013 album Wheelhouse. It’s a modern-day gospel song by a man who is a regular churchgoer himself, but it’s told from the perspective of a non-believer.

Paisley spends the song’s first four verses mocking “those crazy Christians” for their devotion, but then has to give them credit for their commitment to caring for people they’ve never even met.

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Song of the Day #3,648: ‘Runaway Train’ – Brad Paisley

Brad Paisley’s 2013 album Wheelhouse followed a string of critically and commercially successful releases matched by few in the music business.

It isn’t as good as the albums it followed, and it is probably best known for including ‘Accidental Racist,’ a song I’m sure Paisley has regretted ever since the first copy was pressed.

Wheelhouse was the first Paisley album to not reach at least Gold status, and his subsequent releases have failed to hit that mark as well.

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Song of the Day #2,690: ‘Southern Comfort Zone’ – Brad Paisley

paisley_wheelhouseBrad Paisley’s 2013 album Wheelhouse was a rare miss for the artist (and best remembered for the laughably ill-advised track ‘Accidental Racist’) but opening cut and lead-off single ‘Southern Comfort Zone’ is a keeper.

The track’s theme epitomizes Paisley’s appeal as a bona fide country star whose creative purview extends well past Nashville.

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Song of the Day #2,293: ‘Pressing On a Bruise’ – Brad Paisley

paisley_wheelhouseThe reaction to Brad Paisley’s 2013 album Wheelhouse was overwhelmed, probably deservedly so, by commentary on the ill-conceived and downright awful ‘Accidental Racist.’

Unfortunately, quite a few decent songs were overlooked amidst the outrage. Among them was ‘Pressing On a Bruise,’ a track co-written by Paisley and Mat Kearney. Kearney contributes a spoken-word verse toward the end of the song as well.

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Song of the Day #1,777: ‘Outstanding in Our Field’ – Brad Paisley

paisley_wheelhouseBrad Paisley’s latest album, Wheelhouse, will probably never emerge from the shadow of its controversial, and hilariously bad, song ‘Accidental Racist.’

And that’s a shame, because while Wheelhouse is no American Saturday Night or Mud On the Tires, it’s an ambitious and often rewarding record. If I were to get mathematical, I’d say it’s 1/2 great, 1/3 mediocre and 1/6 head-scratchingly bad. It would be a shame to let the few spoil things for the many.

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