My desert island countdown continues (see Monday’s post for the full explanation).
Desert Island Musical Artists – #3 – R.E.M.
As I’ve written many times on this blog, no artist has as powerful an emotional pull on me as R.E.M. Their music transports me to different moments in my life like a sonic time machine.
My desert island countdown continues (see yesterday’s post for the full explanation).
Desert Island Musical Artists – #4 – Paul Simon
Not only do I get Paul Simon’s stellar solo discography (including the unparalleled one-two punch of Graceland and The Rhythm of the Saints), I bring with me a quintet of Simon & Garfunkel albums I adore.
About a year ago I started running three miles a day, four or five days a week. Maintaining that pace requires the right listening material — I’m not able to run in silence.
But as much as I love music (see: this blog), it doesn’t help me run. I don’t get lost in the songs, but rather find myself waiting for each one to end. Music actually drags out the process rather than quickening it.
If there’s one album in my music collection of which I could never tire, its R.E.M.’s 1985 classic Fables of the Reconstruction. I think that’s in part because I have no idea what most of its songs are about — or even what Michael Stipe is singing in half of them.
Reading over the lyrics of ‘Kohoutek,’ I realized that despite hearing and loving it hundreds of times I had never really paid any attention to its words. Because they don’t matter… not really. What matters is the sound and the feel.
It’s been ten years since David Byrne put out what I would consider a real David Byrne album. That was 2004’s Grown Backwards, which went off on a few tangents but was mostly the sort of tight, quirky, literate world pop album he’d released four other times since 1989.
Those five albums — the kind of David Byrne records I adore — are (chronologically) Rei Momo, Uh-Oh, David Byrne, Feeling and the aforementioned Grown Backwards.
Meet Me In Montauk 