In the meantime, Del Rey keeps dropping tracks from the album. Today’s track is the fourth, although it is a live performance, not a studio recording. It was actually released back in October, after she performed it at an Apple event with Jack Antonoff on piano, but I missed it until now.
My tw most-anticipated albums of 2019 are Vampire Weekend’s Father of the Bride and Del Rey’s newest. She has been relatively prolific (her last album, Lust For Life, came out in the summer of 2017) but she has also yet to disappoint and I know any new material will be rewarding.
Lana Del Rey is sticking to her pace of a new album every other year, with her next release (amusingly titled Norman Fucking Rockwell) due in early 2019. As a preview, she recently dropped a couple of new tracks on an EP.
‘Mariners Apartment Complex’ and ‘Venice Bitch’ are both vintage Lana Del Rey, though the latter goes in some trippy new directions, including a meandering space-synth solo that stretches the track’s running time to more than 10 minutes. That sounds horrible on paper but the song is hypnotizing and beautiful, like everything Del Rey touches.
This track was reportedly submitted for Spectre, the 24th Bond film, but turned down in favor of Sam Smith’s garbage song ‘Writing’s On the Wall.’ Although it was trashed by critics, ‘Writing’s On the Wall’ went on to win both the Golden Globe and Academy Award for Best Song. Weak.
Back in March, when Lana Del Rey released the first single from her new album Lust For Life, I made this statement: “One thing I love about Del Rey is how little she seems to care about bending her sound toward the fads of the day. You won’t find a rap break in any of her songs.”
Six songs into Lust For Life, she made me eat those words, as rapper A$AP Rocky shows up to deliver a verse on the track ‘Summer Bummer.’ He sticks around for the next song, ‘Groupie Love,’ as well.
My initial thought was a song that you play while driving fast down an open road in broad daylight. A couple of thematically and musically appropriate choices came to me right away: Rihanna’s ‘Shut Up and Drive‘ and Sing Street’s ‘Drive It Like You Stole It.’ Another obvious one is a song I consider the epitome of open road tunes, Tom Petty’s ‘Runnin’ Down a Dream.’
Brad Paisley vs. Lana Del Rey seems like an entirely left-field matchup in Montauk Madness, but given Paisley’s track record of collaboration, I would not be at all shocked if these two paired up on his next album.
Paisley was the first true country artist I loved, a journey I chronicled in this blog entry after the release of American Saturday Night. That album and the few that preceded it are all classics of the genre.