In early 2020, I counted down my top 20 films of the previous decade, and Wes Anderson’s 2014 The Grand Budapest Hotel showed up at #17. In that post, I mentioned that I owed Moonrise Kingdom another viewing, but hadn’t gotten around to it in time.
If I were redoing that list today, Moonrise Kingdom would definitely be on it, and pretty high up. But The Grand Budapest Hotel wouldn’t lose any ground. In fact, I’d likely move it higher as well. Subsequent viewings have only cemented it as one of Anderson’s most accomplished and enjoyable films.