Here’s a typically moody southern gothic track from Neko Case’s 2002 album Blacklisted. The whole album has this great sound.
Today’s track — the title cut — is a quick little poem that seemingly uses a train as a metaphor for a person who won’t settle down. That’s how I read it, anyway.
What’s unclear to me is how this song fits its title.
I don’t have much to say about today’s Random Weekend selection, which comes from one of those albums that found its way into my collection through mysterious means.
Mindy Smith’s debut album, One Moment More, was released in 2004. Since then she has put out four more albums, one as recently as 2012.
I don’t know who she is or why I own this album.
And the best album of 1982 is… Elvis Costello’s Imperial Bedroom.
Over the next two weeks I’ll feature albums unfamiliar to me that topped critics lists in 1982. When searching for those titles, I often came across Costello’s baroque pop masterpiece, knowing full well that it would top my own list. The album topped the Village Voice Pazz & Jop poll that year. It’s the record that really cemented Costello as a critical favorite.
My #2 album of 1982 may well have been the #1, were it not for a classic record by a personal favorite. But Michael Jackson’s Thriller will have to settle for being the world’s all-time top selling album.
All these years later, after Jackson’s many scandals and unseemly death, it’s hard to recall what a fresh and dominating presence he was in the music world. Taylor Swift could only wish for his level of cultural dominance.
My third favorite album of 1992 is The Nylon Curtain, Billy Joel’s eighth studio album and the one he has called his personal favorite.
I’d likely give that title to The Stranger or 52nd Street, but this one would round out the top three.
The album, running just nine songs long, featured Joel’s most ambitious studio work. It’s his Beatles album.
