Dylas has said the accident gave him an excuse to “get out of the rat race” after a two-year span that saw the release of three classic, era-defining releases (Bringing it All Back Home, Highway 61 Revisited and Blonde On Blonde). John Wesley Harding was a far quieter, less mind-bending album than that trio.
But somehow, despite spending a full year on Bob Dylan Weekends, I have never posted his version of ‘All Along the Watchtower.’
Today I pick up on my Decades series, where I dive into the albums of a given year in the 70s, 80s, 90 and 00s. I started with my birth year, 1972, then featured 1982, ’92 and ’02. Then I backed up a couple of years to cover 1970 and 1980, and starting today I’ll tackle 1990.
This is the year I turned 18 and started college, a time when I started expanding my musical horizons, and yet I had a hard time coming up with albums I really like from the year. I found a lot more that I missed out on, and I’ll cover those over the next couple of weeks, but this week I’ll count down my five favorite 1990 albums.
My latest Random Weekend song comes courtesy of John Wesley Harding. ‘The Devil in Me’ is a nifty little power pop take on the themes The Rolling Stones mined so memorably in ‘Sympathy For the Devil.’
I last featured a John Wesley Harding song a little over a year ago and at the time I predicted I’d revisit him five years later. So thanks to iTunes’ random algorithm, I’m four years ahead of schedule.
It’s appropriate that I’m featuring a John Wesley Harding song in the midst of my Elvis Costello weekends. The poor man has been compared to Costello so often for so many years… why should he escape that here?
Of course being compared to Elvis Costello is quite a compliment, so I doubt he’s complaining. And he did hire most of The Attractions to back him on his best album, Here Comes the Groom, so it’s not like he doesn’t invite the comparison.