Ben Folds’ first solo album, Rockin’ the Suburbs, could easily have been another Ben Folds Five album — more smart piano/bass/drums pop. It was also a step up from Reinhold Messner because Folds focused more on writing good songs than delivering an oddball concept album.
Still, in a way Rockin’ the Suburbs is a concept album in its own right. Almost all of its songs are character sketches, short stories told in three minutes’ time. And Folds proved to be an expert at these mini-narratives.
Ben Folds Five’s third (and final) album, The Unauthorized Biography of Reinhold Messner didn’t live up to the promise of their first two. Studio gimmickry too often stands in for strong songwriting, especially in the album’s second half.
While Ben Folds Five’s debut album is a seemingly impossible act to follow, the band’s second CD Wherever and Ever Amen was absolutely up to the task. Folds expanded his palette, making use of strings, horns and studio trickery to produce a stunning collection of songs. It would be a struggle to find another artist or band whose first two albums are as satisfying as these.
Welcome to another single-artist theme week, this one focusing on the wonderful but short-lived Ben Folds Five as well as Ben Folds’ solo work. As usual, I will tackle the songs in chronological order.
Ten Best Songs of 2008 – #6