Song of the Day #4,097: ‘Hiroshima (Japanese Version)’ – Ben Folds

Ben Folds wrote a song called ‘Hiroshima’ for his 2008 album Way To Normal. The lyrics describe a time he was performing in Japan and fell off the stage, suffering a semi-serious head injury. He continued playing as blood poured down his face.

Apparently he later returned to Japan and performed that song in Japanese, which is the version presented here. It appeared on an alternate version of Way To Normal called Stems and Seeds, which included different mixes of the original album’s tracks plus other odds and ends.

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Song of the Day #3,973: ‘The Ascent of Stan’ – Ben Folds

My top four albums of 2001 are so good that I really could have presented them in any order. I settled on the lineup I did based on a quick dive into each album right here and now, so these rankings reflect my current mood as much as anything.

At #4 is Ben Folds’ first solo album, Rockin’ the Suburbs. Ben Folds Five had split up a year earlier following the release of their third studio album, and this record marked Folds’ shift into what would become a fascinating and successful solo career.

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Song of the Day #3,859: ‘One Down (Live)’ – Ben Folds

Ben Folds is such a good songwriter that he can’t deliver a bad tune even when he wants to.

‘One Down’ is about a time Folds’ record company required him to write 4.6 songs in order to fulfill his contract. Apparently he received .4 worth of credit for an earlier co-written song.

He shit this one out (as he colorfully puts it) to chip away at the obligation.

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Song of the Day #3,516: ‘Zak and Sara (Live)’ – Ben Folds

I’m surprised I haven’t already featured Ben Folds’ ‘Zak and Sara,’ either its studio version (from Folds’ 2001 solo debut Rockin’ the Suburbs) or the live version posted today.

This song is a perfect example of Folds’ gift for quick character sketches. I’ve always said that at his lyrical best, his songs are essentially short stories. Short stories sung with sticky melodies over exuberant piano music.

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Song of the Day #3,495: ‘Concerto for Piano and Orchestra, Movement 3’ – Ben Folds

Ah, the very rare instrumental track on a Random Weekend. This one comes from Ben Folds’ last album, So There, which featured eight songs backed by an orchestra as well as Ben’s ‘Concerto for Piano and Orchestra’ in three movements.

I listened to the full concerto once, after first buying the album, and never again until today. I just don’t find myself reaching for classical or orchestral music, even if I really enjoy it. I find this sort of thing better in the background, whether it’s the background of a movie or everyday life.

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Song of the Day #3,410: ‘Family of Me’ – Ben Folds

I like when animated movies make interesting musical choices. Rufus Wainwright delivered a delightful theme song for Meet the Robinsons, Jack Johnson’s ‘Upside Down’ from Curious George is my favorite song of his. The Shrek films feature a treasure trove of excellent song picks, including Counting Crows’ addictive ‘Accidentally in Love.’

In 2006, Ben Folds got into the game, contributing several songs to the soundtrack of Over the Hedge. It’s a sweet, admittedly forgettable, movie but a great showcase for Folds’ pop chops.

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Song of the Day #3,375: ‘Long Way To Go’ – Ben Folds

Today’s Random iTunes Selection comes from Ben Folds’ 2015 album So There, a collaboration with chamber music ensemble yMusic. The album contains eight pop songs as well as Folds’ three-movement ‘Concerto for Piano and Orchestra’ (which I’ll admit, I listened to only once). The songs are mostly great, though.

‘Long Way To Go’ is an interesting track, in that it seems to be about itself. When Folds sings “we got just five minutes” there are exactly five minutes left in the song. Likewise with the “just three minutes” and “just one minute” verses. So is the whole song about getting to the end of the song? Or did Folds just time things out that way as an added challenge while writing about something more universal?

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