With one epic musical directed by Robert Wise under my belt, I turned my attention to another.
West Side Story, with songs by Leonard Bernstein and Stephen Sondheim, adapted for the screen from a classic stage musical, inspired by William Shakespeare’s Romeo and Juliet, winner of ten Academy Awards including Best Picture and Best Director, #2 of AFI’s list of the greatest musicals of all time… and, sadly, a major disappointment.
This is a case of a movie that simply hasn’t aged very well.
America is an interesting case, as they most certainly qualify as yacht rock (or “west coast” music) despite hailing from merry old England.
The London trio was inspired by Los Angeles-based band Crosby, Stills and Nash and chose their band name because, according to Wikipedia, they “did not want anyone to think they were British musicians trying to sound American.” Which is exactly what they were.
Simon & Garfunkel’s third album, 1968’s Bookends, marked a major stylistic departure for the duo.
The straightforward acoustic folk (and folk rock) of their first few albums gave way to a record very much crafted in the studio. The songs on this album feature distorted instruments, samples, skits and interviews. It’s a cross between Peter, Paul and Mary, National Public Radio and Eminem.
Bookends is a concept album at heart, though I’m not sure the concept holds up across its full length. Side One starts and ends with ‘Bookends Theme,’ a gentle guitar melody that is echoed in the moving track ‘Old Friends,’ about two elderly men who sit on a park bench “like bookends.”
Simon & Garfunkel released only one more album (so far), though they have reunited a number of times since 1970. That release was The Concert in Central Park, a 1981 recording of the most memorable of those reunions.
Simon had been scheduled to appear solo, playing a free concert on the Park’s Great Lawn, but word got out that Garfunkel might appear and the show turned into something much bigger, both in size and importance. More than 500,000 people filled Central Park that night, celebrating not just the reunion of a classic group but the era they represented.