Top Songs of 2012 – #13
Red, Taylor Swift’s chart-topping follow-up to Speak Now, is generally disappointing for reasons I can’t put my finger on.
I think it boils down to Swift’s worldview having a shelf life. She certainly has a gift for melody and she can turn a phrase, but I hear far too much of her in every song she writes, and frankly I’m a little tired of spending that much time with her.
Top Songs of 2012 – #14
At first I didn’t get Maroon 5’s ‘Payphone.’ The hook didn’t stick with me after a listen or two and I wasn’t sure why it was turning into such a big hit.
But at some point it dug in and I realized that it’s a true beast of a song. And then it became ubiquitous and almost fell out of favor before I got around to making this list.
Top Songs of 2012 – #15
Kicking off my countdown of the 15 songs I enjoyed most this year is a cut from Glad All Over, The Wallflowers first album in seven years.
Generally, I was disappointed in this album. It didn’t meet the high standards of the band’s previous work, nor of Jakob Dylan’s two solo albums. It’s a bit generic in a way the band has avoided on most of its work.
Here’s an odd little song from Randy Newman’s 1988 album Land of Dreams.
This album, the only studio record Newman released between 1983 and 1999, is a bit of a mixed bag. It starts off with his most autobiographical work — several songs that describe his childhood in New Orleans.
Better known are the late-album tracks ‘It’s Money that Matters’ and ‘I Want You to Hurt Like I Do,’ each with Newman’s typical satirical edge. Also featured is ‘Masterman and Baby J,’ Newman’s ill-advised parody (I think) of a rap song.
Today is my 40th birthday. It happens to fall on one of my Random Weekends, so I’m spared the pressure of having to select a song appropriate to the occasion.
On car trips with my family, I will often say something like “the next song that comes on the radio will describe the rest of our lives” or “the next song that plays sums up my relationship with your mother.” The many times the resulting song makes no sense whatsoever are completely erased by the few times it’s hilariously perfect or perfectly hilarious.
Meet Me In Montauk 