Song of the Day #2,699: ‘Do You Realize??’ – The Flaming Lips

flaming_lips_yoshimiThe Flaming Lips’ Yoshimi Battles the Pink Robots shows up on most critics’ lists of the best albums of 2002. I can’t remember if I bought it at the time and didn’t get into it, or if I just intended to buy it and never did. At any rate, it’s still unknown to me.

Yoshimi is a loose concept album about the titular battle, though only a few songs directly tie into that story. The overall theme is making the most of life in the face of our own mortality. Fun stuff!

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Song of the Day #2,698: ‘All Things in Time’ – Toad the Wet Sprocket

toad_sprocket_coilI’ve written before that Toad the Wet Sprocket is my favorite of the alternative bands that truly belong to the 90s. The band’s debut album, Bread & Circus, was released in 1989 and the four records that make up the heart of their discography were released between 1990 and 1997.

Coil was the last of these and many fans consider it the best. I have difficulty finding much space between this record, 1991’s Fear and 1994’s Dulcinea in terms of quality. That’s a trilogy I’d stack up against anybody’s work from the era.

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Song of the Day #2,696: ‘Come Away With Me’ – Norah Jones

norah_jones_come_awayUnlike the other albums I’ve featured this week, I’m very familiar with today’s artist, if not the specific tracks on the record.

Norah Jones rocketed to stardom following the release of this jazz-folk record, which sold more than 10 million copies in the U.S. and 26 million worldwide. Come Away With Me earned eight Grammys and showed up on plenty of critics’ year-end lists (even as others dismissed the album as sleepy and bland).

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Song of the Day #2,695: ‘Obstacle 1’ – Interpol

interpol_turn_on_bright_lightsInterpol is a post-punk alternative band out of New York City that has been off my radar completely. They are often compared to Joy Division, but I have to admit I’m not very familiar with Joy Division either.

2002’s Turn On the Bright Lights is Interpol’s debut album and remains their best received, both commercially and critically.

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