The week of July 24, 2004, saw Usher still atop the charts with ‘Confessions Part II.’ That was certainly his summer.
In second place was the rap song ‘Slow Motion’ by Juvenile featuring Soulja Slim. This track eventually made it to #1, becoming the seventh chart-topper released posthumously (Soulja Slim was shot and killed outside his mother’s home in New Orleans the previous November).
Throwing back to the week of July 27, 1994, we find All-4-One’s ‘I Swear’ nearing the end of its historic run at #1.
Just behind it is Lisa Loeb’s ‘Stay (I Missed You),’ her debut single, which was featured in the movie Reality Bites. This indie pop classic would dethrone All-4-One the following week. I had a healthy crush on Loeb in 1994.
My final Hildegard Von Blingen’ bardcore selection tackles yet another genre: country. Here’s her take on the Dolly Parton classic ‘Jolene.’
One of the charms of these bardcore songs is the way Hildegard transforms the lyrics. So “I’m beggin’ you, please don’t take my man” becomes “I beg of thee, pray take not my lord.” No contractions, lots of -eths.
One of the great things about bardcore is it seems to work with just about any genre. So far this week I’ve shared 60s folk and rock and 00s electro-pop, and today we have a 90s alternative grunge track… and they all sound just beautiful.
Of course, most of the credit goes to Hildegard Von Blingen’, whose ethereal vocals bring an otherworldly majesty to any melody. I particularly like her take on Radiohead’s ‘Creep,’ a great song in any form that has never sounded this lovely.
Bardcore got its start in early 2020, and quickly became popular with the same crowd that took to sea shanties and cottage core.
In an interview from that year, Hildegard Von Blingen’ tied her blossoming success to the Covid pandemic. “Mediaevalism has played such a big role in popular culture for many years, but for this year I feel like we’re feeling a certain kinship with the people of the middle ages given they went through plagues and wars.”
Meet Me In Montauk 