When I laid out my March posts awhile back I planned to dedicate this week to my first reactions to Lana Del Rey’s new album, which was due to drop on March 10. That release has since been pushed back two weeks, so I’ll have to do the same with my posts.
The adjustment is actually quite simple. I had planned to follow up the new album content with a two-week retrospective of Del Rey’s career to date, so instead I’ll just flip the order and do the discography deep dive first. I actually wanted to do it in this order but the Oscars airdate prevented it. Perhaps Del Rey heard about my predicament and pushed the album release for my sake.
Del Rey started her recording career in the late 2000s, releasing a three-track EP titled Kill Kill in 2008. The songs were selections from a full-length album she had recorded earlier that year. The EP received strong reviews, so a release was planned for the album more than a year later.
In January 2010, a digital release of Lana Del Ray hit iTunes and Amazon. The title reflected the initial spelling of Del Rey’s stage name. To complicate matters, some versions of the album cover displayed the title as Lana Del Ray AKA Lizzy Grant, acknowledging Del Rey’s given name.
The album was available for download for just three months before it was pulled from streaming services and plans for a physical release were shelved. That’s because Del Rey bought back the rights to the release, reportedly wanting to go in another direction for her debut. She vowed to release it a couple of years later but that still hasn’t happened.
Listening to the album, which is available on YouTube, it’s hard to see why Del Rey wanted it pulled. Granted, it doesn’t have the culture-rattling immediacy of her next release, but it’s a very good album that sounds a lot like the Lana Del Rey the world would come to know and love.
Only one song on this album has received an official release — final track ‘Yayo,’ which was re-recorded for an EP two years later. The rest survive in bootleg form through YouTube recordings with distracting audio imperfections. I’d love to hear these tracks either remastered or rerecorded.
Album opener ‘Kill Kill’ has the distinction of being the first song ever released by Del Rey. It finds the then 23-year-old in fine form right out of the gate.
Bound up the stairs
I’m in the shower
Do you know I am going to leave you?
Do you know I am going to leave you?
[Chorus]
I’m in love with a dying man
I’m in love with a dying man
I’m in love, lying in the sand, mmm
I’m in love with a dying man
I’m in love with a dying man
I have done everything I can, mmm
[Verse 2]
Tell me about Ray and his girl
Do I know Ray has gone to meet you?
Love you, I do
Stay here, I won’t
The stars fade from your eyes
[Chorus]
I’m in love with a dying man
I’m in love with a dying man
I’m in love, lying in the sand, mmm
I’m in love with a dying man
I’m in love with a dying man
I have done everything I can, mmm
[Bridge]
One, two, make it fun
Don’t trust anyone
One, two, make it fun
Don’t trust anyone
[Chorus]
I’m in love with a dying man
I’m in love with a dying man
I have done everything I can, mmm
I’m in love with a dying man
I’m in love with a dying man
I have done everything I can, mmm
[Outro]
One, two, make it fun
Don’t trust anyone
One, two, make it fun
Make it fun, make it fun
In the digital age in which we live, it is really impossible to shelve anything once it has gotten onto the internet. Del Ray outta give in and just release the better versions of these initial songs.
How artists evolve is one of the joys long-time fans get to enjoy. Back in the day, Billy Joel’s Cold Spring Harbor was released – and has ever since remained available – despite being recorded at a slightly faster speed (at least I believe that’s what happened).
I’m with you and Dana that Del Rey should embrace the early recordings.