Throwing back to the week of February 15, 1986, we find Whitney Houston atop the Billboard Hot 100 with ‘How Will I Know,’ in the first of its two weeks at #1.
In the second spot was Billy Ocean with (deep breath) ‘When the Going Gets Tough, the Tough Get Going.’ Like yesterday’s featured artist, Hot Chocolate, Ocean is a British artist I didn’t realize was British (at least not until I wrote about ‘Caribbean Queen’ in late 2024).
The week of Feb. 1, 1986, found Dionne Warwick & Friends hanging on to the #1 spot for the third straight week with ‘That’s What Friends are For.’
Behind it at #2, where it would spend two weeks, is one of the most glaring examples of trying to make lightning strike twice — Survivor’s ‘Burning Heart.’
It’s a real cheesefest this weekend. Just when you thought it was safe to come back to the blog after yesterday’s Barry Manilow offering, I’m serving up a little ‘That’s What Friends Are For.’
The week of January 18, 1986, was the first of a four-week stint at #1 for this collaboration between Dionne Warwick, Elton John, Gladys Knight, and Stevie Wonder. Written by Burt Bacharach and Carole Bayer Sager, the song was originally recorded by Rod Stewart for the soundtrack of the 1982 film Night Shift.
Between 1976 and 1991, Billboard froze their final Hot 100 chart of the year to focus on a year-end wrap-up issue. So the #1 song the week of January 4, 1986, was the same as the prior week. That was Lionel Richie’s ‘Say Say Say,’ enjoying its second week atop the chart.
In the #2 spot that New Years week was the appropriately titled ‘Party All the Time,’ the first single from Eddie Murphy’s debut music album How Could It Be. This was the kickoff to an ill-fated music career that spanned three albums, poor reviews, and this one hit.
Like yesterday’s Throwback Weekend song, the #1 hit the week of December 21, 1985, was written for a movie. In this case, the film was White Nights, a Cold War drama starring Gregory Hines and Mikhail Baryshnikov about a pair of dancers trapped in the Soviet Union.
I vaguely remember the film as a solid piece of mid-80s adult entertainment. I imagine the studio was chasing the success of another music-based drama, 1983’s Flashdance. The film had a decent pedigree, with Taylor Hackford directing and Helen Mirren and Isabella Rossellini in supporting roles.
Meet Me In Montauk 