Throwing back to the week of April 26, 1976, we The Bellamy Brothers holding on to the top spot of the Billboard Hot 100 with ‘Let Your Love Flow.’ This was the song’s sole week at #1.
Just behind at #2, where it peaked, was ‘Right Back Where We Started From’ by British R&B singer Maxine Nightingale. The song had enjoyed a successful run in the UK the previous year and was released in the U.S. in January.
Throwing back to the week of April 11, 1976, we find Johnnie Taylor holding on to the #1 spot of the Billboard Hot 100 with ‘Disco Lady.’
At #2, on its way to a single week atop the chart, was The Bellamy Brothers’ ‘Let Your Love Flow.’ This country crossover hit was the duo’s debut single and by far their biggest success on the Hot 100 (their second most popular song reached #39).
Throwing back to the week of March 28, 1976, we find Jonnie Taylor atop the Billboard Hot 100 with the sultry funk ballad ‘Disco Lady.’
This song spent a full month at #1 on its way to being named the #3 song of all 1976. It has the distinction of being the first single designated Platinum by the Recording Industry Association of America.
Throwing back to the week of March 14, 1976, sitting atop the Billboard Hot 100 is a classic disco doo-wop song that returned its legendary group to the #1 spot for the first time in more than a decade.
The Four Seasons had four #1 hits between 1962 and 1964 — ‘Sherry,’ ‘Big Girls Don’t Cry,’ ‘Walk Like a Man,’ and ‘Rag Doll,’ doo-wop hits that made splendid use of Frankie Valli’s falsetto. Another six singles made it into at least the top 20.
Throwing back to the week of February 28, 1976, we find the ‘Theme from S.W.A.T.’ by Rhythm Heritage atop the Billboard Hot 100. I wrote about that song during a week about instrumental tracks that reached #1. Paul Simon drops to #2 with his ‘50 Ways to Leave Your Lover.’
In the third spot, a week before its sole week at #1, was The Miracles’ ‘Love Machine Pt. 1.’ The full seven minute album track was split into two parts with ‘Part 2’ serving as the B-side (it’s basically an extended coda).
Meet Me In Montauk 