Song of the Day #3,904: ‘Hard Times in New York Town (Demo – 1961)’ – Bob Dylan

My #3 album of 1991 is admittedly a bit of a cheat, as most of its songs were recorded decades earlier. But Bob Dylan’s The Bootleg Series, Vol 1-3: Rare & Unreleased 1961-1991 marked the first time most of these outtakes and demos were officially released.

This three-disc set covered Dylan’s earliest years up through his spotty 80s output, and found hidden gems throughout. Incredible songs inexplicably left off of mediocre albums, alternate takes of all-time classics, demos recorded before anybody knew the name Bob Dylan.

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Song of the Day #3,903: ‘Harpies Bizarre’ – Elvis Costello

My #4 album of 1991 is the mostly mediocre Elvis Costello release, Mighty Like a Rose.

Ranking this one was tough. I had to balance the warm bath of nostalgia with the sobering effects of time, then sprinkle in a dash of ‘one amazing song lifting up a whole album.’ Given all that, fourth place feels about right.

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Song of the Day #3,902: ‘When You’re Not Around’ – Joe Jackson

Well, this is a bit awkward. When checking to see which songs I’ve posted from Joe Jackson’s Laughter & Lust, my #5 album of 1991, I realized that in a previous Decades post I named this my #4 album of 1990.

I double-checked, and the album was indeed released in 1991 (April, to be exact) so I’m not sure how I mistakenly shifted it a year early back then. At least I’m consistent with the placement.

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Song of the Day #3,899: ‘Not the Only One’ – Bonnie Raitt

My #6 album of 1991 is the female counterpart to yesterday’s selection of Marc Cohn’s debut album. As with that record, I haven’t spent a lot of time listening to Bonnie Raitt’s Luck of the Draw over the years, but there’s no denying its greatness.

Raitt has such a great voice and sound that you can listen to her singing anything and come away satisfied. One of my co-workers tunes her Alexa to the Bonnie Raitt station every time it rains, and I totally get why.

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Song of the Day #3,898: ‘True Companion’ – Marc Cohn

My #7 album of 1991 is the debut of Cleveland-born singer-songwriter Marc Cohn.

This is a bit of a left-field pick for me because I haven’t given Cohn’s album much thought since it came out. But scanning my music library’s 1991 titles for this week’s posts, I was struck by the greatness of this album. It’s a gorgeous collection of poetic piano balladry.

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