For me, the biggest highlight of Volumes 1-3 of Bob Dylan’s Bootleg Series are the New York versions of a few Blood On the Tracks songs.
As the story goes, Dylan recorded the whole album in New York then decided at the last minute that he wasn’t happy with some of the tracks and laid down new versions in Minneapolis. Those Minneapolis recordings are the songs we all know and love from the finished album.
But the New York tracks, largely acoustic versions of such classics as ‘Tangled Up in Blue,’ ‘Idiot Wind,’ ‘You’re a Big Girl Now’ and Lily, Rosemary and the Jack of Hearts,’ are equally revelatory. In fact, on the whole I think I prefer those original versions to the songs on the official release.


