Joel’s third album, Streetlife Serenade, is for me his least memorable. The only two songs I really know from it — ‘Los Angelenos’ and ‘Streetlife Serenader’ — were featured on the excellent live album Songs in the Attic and those versions top the ones found on this LP.
The rest of the album is forgettable. And I mean that literally… scanning the titles — ‘The Great Suburban Showdown,’ ‘Last of the Big Time Spenders,’ Weekend Song’ — I have absolutely no idea what they sound like. Perhaps they are lost gems, but I tend to believe this album is an early valley in a career of many peaks.
Joel’s breakthrough album,
My latest theme week will be a special expanded edition that spans 12 days and covers all of Billy Joel’s studio albums. This should be a nice stretch for my regular readers — all big Billy Joel fans — especially after the Rufus Wainwright theme of a couple weeks back.
Like many young suburban white people, my first exposure to these great Motown songs came via The Big Chill soundtrack. That album, which went 6X platinum, was less a document of the film than a Motown greatest hits collection.
It’s become a cliché to say that Pixar is the most consistently wonderful creative force in cinema today. But like many clichés, it’s a cliché for a reason… and Up — the studio’s tenth film — is the latest example of why they leave everybody else in the dust.