Song of the Day #6,090: ‘The Crazy Otto Medley’ – Johnny Maddox

Throwing back to the week of March 8, 1955, we find The McGuire Sisters atop the Billboard singles chart with ‘Sincerely,’ its sixth straight (and last) week at #1.

In the #2 spot was an instrumental ragtime recording called ‘The Crazy Otto Medley,’ performed by pianist Johnny Maddox. What a different world it was 70 years ago, when a song like this could be a major hit, spending seven weeks at #2.

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Song of the Day #6,084: ‘Can’t Fight This Feeling’ – REO Speedwagon

The week of March 2, 1985, saw George Michael’s (or Wham!’s) ‘Careless Whisper‘ holding on to the #1 spot. Right behind it was REO Speedwagon’s ‘Can’t Fight This Feeling,’ a week away from its own three-week stint in the top spot.

This was the band’s second #1 (following another power ballad, 1980’s ‘Keep On Lovin’ You’) and their last to reach even the top ten.

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Song of the Day #6,083: ‘Black Water’ – The Doobie Brothers

Throwing back to the week of March 1, 1975, we have a trio of great songs atop the Billboard Hot 100.

The first two have already appeared on the blog: ‘Best of My Love‘ by the Eagles at #1 and Olivia Newton-John’s ‘Have You Never Been Mellow‘ at #2.

At #3 that week was The Doobie Brothers’ ‘Black Water,’ the third single from their fourth album, What Were Once Vices Are Now Habits. The song would reach #1 two weeks later, becoming the band’s first chart-topper, and one of only two in their career.

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Song of the Day #6,077: ‘This Diamond Ring’ – Gary Lewis & the Playboys

Gary Lewis & the Playboys topped the Billboard Hot 100 the week of February 23, 1965, with ‘This Diamond Ring.’ It was the song’s second straight week at #1.

This was the band’s first single release, and their only one to reach #1. They were one of only two acts to reach the top ten with their first seven singles (the other was The Lovin’ Spoonful).

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Song of the Day #6,076: ‘Ko Ko Mo (I Love You So)’ – Perry Como

Throwing back to the week of February 22, 1955, we find the usual repeats in the top three spots before a newcomer at #4: Perry Como with ‘Ko Ko Mo (I Love You So).’

This was RCA Victor’s first rock record, and matching it with a white crooner like Como was, as one historian put it, an “industry effort to whitewash the racy, raunchy music of rhythm and blues before anyone’s daughter heard it.”

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