Song of the Day #3,777: ‘Angel (Live)’ – Sarah McLachlan

Yesterday’s Edwin McCain post sent me down one of those deliciously evil YouTube rabbit holes that dredged up material for a week’s worth of blog posts.

This week I’ll feature a quintet of live performances at the Bing Lounge, which I guess is where you go to play when the Google Lounge is down.

First up is Sarah McLachlan, with a lovely rendition of her classic sobfest ‘Angel.’

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Song of the Day #3,776: ‘I’ll Be (Live)’ – Edwin McCain

A shout out to Daniel Gallup, an up-and-coming artist recently featured on the blog, for calling my attention to today’s clip.

Here, Edwin McCain talks about his biggest hit, ‘I’ll Be,’ during a live set at the Bing Lounge in 2011. He amusingly wonders why any one-hit wonder would have a negative opinion of the song that brought him fame and fortune.

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Song of the Day #3,775: ‘Everybody Loves You Now’ – Billy Joel

Here’s a great song from Billy Joel’s debut album, 1971’s Cold Spring Harbor. A live version was later released on the 1981 compilation album Songs in the Attic.

‘Everybody Loves You Now’ is a bitter serenade to a woman who hit it big and, in the narrator’s eyes, turned her back on the neighborhood (“you ain’t got the time to go to Cold Spring Harbor no more”).

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Song of the Day #3,774: ‘Love is Free’ – Sheryl Crow

The first three random songs that popped up on iTunes had already been featured on the blog: Aimee Mann’s ‘4th of July,’ Art Garfunkel’s live performance of ‘A Heart in New York,’ and The White Stripes’ ‘I Want to Be the Boy to Warm Your Mother’s Heart.’

When that happens, I like to go back and read the old posts, both to see if my opinions have changed and to enjoy the comment threads. In that batch, frequent commenter Dana took shots at Garfunkel, occasional commenter Amy took shots at Mann, and Jack White emerged unscathed.

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Song of the Day #3,773: ‘He’s Given Me Things’ – Elvis Costello

Closing out Elvis Costello’s Look Now is the third collaboration with Burt Bacharach, ‘He’s Given Me Things.’

Backed by the Imposters and a nine-member string section, Costello once again sings from the perspective of a woman, this time the mistress of a wealthy man giving the kiss-off to her former lover.

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