Song of the Day #3,399: ‘Square One’ – Tom Petty

Continuing my countdown of favorite Tom Petty albums, in honor of the late, great musician.

Tom Petty released three solo albums over the course of his 40-year career, and on their face they don’t differ all that much from his work with The Heartbreakers. In fact, almost every band member appears on each of those three records.

But there must be something to the distinction because (spoiler alert) all three of those solo albums show up in my top five.

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Song of the Day #3,275: ‘Begin Again’ – Taylor Swift vs. Tom Petty

Two of the more compelling Round One Montauk Madness matchups pitted pop (and pop culture) sensations Beyoncé and Taylor Swift against Tom Petty and David Byrne, respectively.

Petty won his battle in one of the closest Round One contests, picking up 56% of the vote. Swift had an easier time dispatching Byrne, netting 88%. Now they face off against each other.

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Song of the Day #3,238: ‘Sandcastles’ – Beyoncé vs. Tom Petty

Somewhere Tom Petty is slamming his fist against a table and crying out, “Why did I have to draw Beyoncé in the first round?!”

Mrs. Carter rules pop culture right now, musically, socially and politically, while Petty is a deeply respected classic rock dinosaur. Is it even a fair fight?

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Song of the Day #3,001: ‘American Girl (Live)’ – Tom Petty

pettyYesterday I posted my 3,000th Song of the Day. At least I think I did.

Awhile ago I was browsing earlier posts on the blog and I happened upon a series of entries in the early 2,000’s that overlapped. Specifically, ten numbers — 2,117 through 2,126 — were used back to back. I have two 2,117s, two 2,118s and so on.

That means my 3,000th blog post was really my 3,011th. At least that’s what it means if I found the only such mistake in my 8 years of blogging.

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Song of the Day #2,359: ‘Red River’ – Tom Petty and the Heartbreakers

tom_petty_hypnotic_eye

Best Songs of 2014 – #17
‘Red River’ – Tom Petty and the Heartbreakers

If rock-and-roll is essentially dead, replaced by the dominance of pop, hip-hop and alternative, nobody told Tom Petty.

On Hypnotic Eye, his best album since Wildflowers (and that’s paying full respect to such great records as Highway Companion and Mojo), he unleashes monster guitar riffs and sticky melodies just like in the good old days.

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