Song of the Day #6,103: ‘Itchycoo Park’ – Small Faces

The final inductee I’ll cover from the supersized Rock & Roll Hall of Fame class of 2012 is a twofer. Both Small Faces and Faces were inducted as one, 30 years after their initial eligibility.

Small Faces was an English pop band popular during the mid to late 60s, considered one of the earliest examples of Britpop. When founding member Steve Marriott left to form Humble Pie, the remaining members teamed up with Rod Stewart and Ronnie Wood to form Faces. That lineup released four albums between 1970 and 1973 before disbanding. A few years later, the original Small Faces lineup reunited and they released two more albums under that name.

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Song of the Day #4,837: ‘Ooh La La’ – Faces

I’m wrapping up my two-week deep dive into the films of Wes Anderson with a few summarizing thoughts and a look at my newly revised rankings.

The average shift from my old Wes list to the revised one was 1.4 slots per movie, with four of the nine not moving at all. The only films to move more than one position were Moonrise Kingdom and Bottle Rocket, which basically swapped their spots. Generally, my reactions were reinforced rather than changed by this rewatch.

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Lessons from a theme week

teacherSo my goal this week was to single out some artists I’ve heard about but never really heard. I went with two bona fide legends (Tom Waits and Patti Smith), two lesser-known but well-regarded 70s bands (Buzzoccks and Faces) and one contemporary artist who enjoys great critical acclaim (Bjork).

Overall, my takeaway is that I wasn’t missing much. I’m most intrigued by Tom Waits, though his voice remains a stumbling block, and I like the idea of Patti Smith even if her song didn’t completely sell me. Faces seems like a generic 70s rock band. Buzzcocks wrote a great song but their style isn’t up my alley. And Bjork is intriguing but too much of an art-school show-off to really grab me.

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Song of the Day #146: ‘Stay With Me’ – Faces

facesFaces is another band I’ve heard of only by name. I couldn’t have placed them on a timeline or named a single member of the band.

The only song of theirs I’m familiar with is “Ooh La La,” and again that’s thanks to Wes Anderson, who used it in the lovely final scene of Rushmore. Anderson has done more to call my attention to great music (especially from the 60s and 70s) than any other filmmaker.

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