By the time I got around to Call Me By Your Name, I had heard so much about it that it was impossible for me to have anything close to a pure experience. I’d read fawning reviews and brutal takedowns. My daughter loves it while my nephew hates it. I read about the father’s closing scene so often that I relented and watched it on YouTube long before I watched the rest of the film.
Due to the Winter Olympics, this year’s Academy Awards are ridiculously late (March 4), which buys me a little time to sneak in some pre-Oscars blog posts. Specifically, I’m going to spend the next ten days featuring this year’s Best Original Song nominees as well as five of my favorite Best Original Song winners.
Michigan indie artist Sufjan Stevens is this year’s unlikeliest Best Song nominee. The eclectic multi-instrumentalist will seem as out of place on the Kodak Theatre stage as Elliott Smith did performing ‘Miss Misery’ from Good Will Hunting in 1997.