I Am Legend

Date: April 15, 2008
Location: Clifton Living Room

Lots to say about this one, most of it positive. For starters, I don’t think there is another actor in Hollywood who could have played this role as effectively. The film is similar to Cast Away in that most of its running time features a single actor (a dog stands in for the volleyball), and Will Smith pulls off all the ‘lonely man slowly going mad’ stuff with aplomb. But it’s also a tense action thriller, and he brings a physicality and tactical intelligence to the role that sells its most heart-pounding moments. There’s a reason Smith is the biggest movie star in the world right now.

Legend is a blend of creepy, cerebral sci-fi and edge-of-your-seat horror film, and it does both very well. I prefer the former, and it is those parts that elevate the film for me. The creepazoid killer zombies are most frightening when you hear but don’t see them… I watched about 15 minutes of this thing through my hand. Once they crash the party, they’re still creepy but also cliché.

I would have loved for the movie to be about 20 minutes longer and focus more on Smith’s life as the planet’s sole normal occupant and his efforts to save what’s left of humanity. I found the ending abrupt and not entirely satisfying. But overall I was impressed.

R.E.M. in order

Not much going on to blog about… it’s April 10 and I’ve yet to see a 2008 movie. That has to be some kind of record. And it’s by choice, as nothing has opened that I’m really excited to see.

So, in the interest of new content, here is a list of all of R.E.M.’s full-length studio albums, in order of my preference:
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R.E.M. – Accelerate

AccelerateIt’s a difficult challenge for a great, established band (or solo artist) to put out new material. When you have a dozen albums behind you, filled with classic songs, how can you avoid the let-down of comparisons to your storied history?

Accelerate is R.E.M.’s 15th studio album and viewed in that light it is something of a disappointment. There is no ‘Half a World Away’ here. No ‘Nightswimming.’ No ‘Driver 8,’ ‘Can’t Get There From Here’ or ‘Fall On Me.’ No ‘So. Central Rain’ or ‘Rockville.’ How could there be, really? Those songs, and many others, are among the all-time greats, written and recorded over a decade in one of those creative bursts that has to have a beginning and an end.

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Sweeney Todd: The Demon Barber of Fleet Street

Date: April 3, 2008
Location: Clifton Living Room

As much a horror movie as a musical, Sweeney Todd is exceptionally graphic — I don’t think I’ve seen this many throats slashed in such a short time before in my life. And that bizarre mish-mash of genres is one of the best things the film has going for it, despite the queasiness it inspires. This ain’t Oklahoma.

Sondheim’s music is wonderful, and the actors are up to the task of singing the complicated tunes. The standouts for me were Johnny Depp and Alan Rickman’s duet on Pretty Women and a little boy (who probably has the best voice in the entire cast) singing Not While I’m Around. Those gorgeous melodies are enhanced by the melodrama surrounding them.

The story itself is a little thin — a typical revenge tale that relies much more on atmosphere than character. Depp is wonderful as always, and there isn’t a weak link in the cast. The grim subject matter and pervasive violence keep it from being the sort of thing I’d revisit often, but I’m very glad I saw it.

Counting Crows – Saturday Nights and Sunday Mornings

Counting Crows
The latest Counting Crows album suffers from Goldilocks Syndrome — parts of it are too hard, parts are too soft and the rest is just about right. The concept here was that the record’s first half represents the “Saturday nights,” with hard-rocking and much mayhem, while the rest calls to mind “Sunday mornings,” and the gentler comedowns they provide. The idea would have worked better over two discs, but presented as one album of fourteen songs it seems less like a high concept than a purposeless and jarring shift in tone.

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