R.E.M. – Collapse Into Now

“20th century, collapse into now,” Michael Stipe says in the final moments of R.E.M.’s latest album, Collapse Into Now. And it’s a fitting coda, as this album feels like a look back at all the things R.E.M. did so well in the 80s and 90s.

It’s been 13 years since drummer Bill Berry left the band, and Collapse Into Now is the closest they’ve come since to sounding like who they used to be. It doesn’t come close to the heights of their best work — how could it? — but it’s a rewarding listen that suggests 2008’s blistering Accelerate was indeed the wake-up call it sounded like.

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Song of the Day #1,018: ‘The Last Laugh’ – Mark Knopfler & Van Morrison

Back in the early weeks of the Song of the Day series, I did a theme week on duets. I wrapped up with Mark Knopfler and James Taylor singing the title song of Knopfler’s Sailing to Philadelphia.

Nearly a thousand songs later, I’m doing another week of duets, and I’m kicking it off with a track from the same album.

This time it’s Van Morrison joining Knopfler on ‘The Last Laugh,’ another stellar song from one of the most underrated albums of the 2000s.

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Song of the Day #1,017: ‘Little Atoms’ – Elvis Costello

I’ve been lucky enough to see Elvis Costello in concert four times. Every one of the shows was simply amazing.

The first was on Halloween night, 1999, in Sunrise, Florida, and like the SOTD’s from yesterday and today, it featured just Costello on guitar and Steve Nieve on piano. The 39-song (!) set list is posted here and I believe it might have been submitted to that site by my cousin (though certainly there were other “Heathers” who attended the show).

Song #39 on that list, ‘Couldn’t Call it Unexpected No. 4,’ was delivered “off mic” by Costello in one of the most intimate moments I’ve ever witnessed at a live concert. He was about ten feet away, belting out the song with no accompaniment.

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Song of the Day #1,016: ‘Black Sails in the Sunset (Live)’ – Elvis Costello

In 1996, Elvis Costello toured in support of his All This Useless Beauty album with a series of low-key shows featuring just him on acoustic guitar and his longtime keyboardist Steve Nieve on piano.

The same year, Costello released a limited edition box set compiling performances from five nights of that tour. Each 5- or 6-track CD contained recordings from one U.S. city: Los Angeles, San Francisco, Chicago, Boston and New York. It wasn’t the most fan-friendly packaging (each CD runs a little more than 20 minutes, meaning the whole thing could have fit on one or two discs) but it was a special collection.

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Song of the Day #1,015: ‘Rocks Off’ – The Rolling Stones

AllMusic.com gives the highest 5-star rating to nine Rolling Stones albums, including the five I’m featuring this week. Two of those are their early covers albums, ranked so high apparently more for the ground they broke for the band than the actual content. Another is 1978’s Some Girls, a return to form for the band and, according to these reviewers, the last truly great thing produced by the band.

Another is Sticky Fingers, the 1971 record that followed up Let It Bleed. I have long wanted to own Sticky Fingers and I’m not really sure why I haven’t just bought it along the way. ‘Brown Sugar‘ and ‘Wild Horses‘ are its best-known tracks, and I like them both quite a bit, and it features other much heralded but new to me tracks such as ‘Sister Morphine‘ and ‘Moonlight Mile.’

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