Song of the Day #1,578: ‘Private Eyes’ – Hall & Oates

Hall & Oates is another band that has eluded me over the years. I’m certainly familiar with their biggest hits — ‘Sara Smile,’ ‘I Can’t Go For That,’ ‘Kiss On My List,’ ‘Private Eyes’ — but I’ve never owned an album of theirs nor could I tell you much about them.

My most significant exposure to Daryl Hall, in fact, came through his duet with Elvis Costello on the latter’s ‘Only Flame in Town.’

Hall & Oates’ music is often described as blue-eyed soul or white soul, two labels I find hilarious. Does that make Darius Rucker black country?

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Song of the Day #1,577: ‘Just Like Heaven’ – The Cure

I’ve completely missed the boat on The Cure, for better or worse. I know almost nothing about them apart from front-man Robert Smith’s resemblance to Edward Scissorhands and a passing familiarity with a few of their most popular songs.

I certainly had no idea that the band had released 15 studio albums dating back to 1979. In fact, 1987’s Kiss Me, Kiss Me, Kiss Me — the successful album that featured today’s Song of the Day — was The Cure’s ninth release. I didn’t exactly consider them a one-hit wonder but no way did I imagine they had that kind of longevity.

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Song of the Day #1,576: ‘Stomach Vs. Heart’ – Barenaked Ladies

‘Stomach Vs. Heart’ is the bizarre first track of Barenaked Ladies’ bizarre third album, 1996’s Born On a Pirate Ship. This song is a perfect example of the offbeat musical and lyrical sensibility that makes BNL such a love-them-or-hate-them proposition.

Personally, I can’t imagine anybody hating them. But I guess if you are turned off by show-offy, self-aware lyrics and general quirkiness, then you will be turned off by Barenaked Ladies.

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Song of the Day #1,575: ‘Tramp the Dirt Down (Demo)’ – Elvis Costello

Today’s Random Weekend selection is similar to the Lucinda Williams track posted last Sunday — a raw, acoustic demo of an album cut.

In this case the performer is Elvis Costello and the song is ‘Tramp the Dirt Down’ from 1989’s Spike.

This is a song — in both its finished form and as a demo — with which I have lost patience over the years.

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