Song of the Day #4,901: ‘Do You Sleep?’ – Lisa Loeb & Nine Stories

The Random iTunes Fairy has an ear for the hits. Today’s track is the second random selection from Lisa Loeb’s 1995 album Tails, and both tracks were among the album’s three singles.

First up was ‘Taffy,’ the album’s second single, and now we have ‘Do You Sleep?,’ the first single and a Billboard Top 20 hit.

Continue reading

Song of the Day #4,895: ‘When Margaret Comes to Town’ – John Mellencamp

Today’s track, from John Mellencamp’s 1994 album Dance Naked, is the fourth Random Weekend song from that record. The most recent was posted this past June.

Lots of Random Weekend love for a minor album in Mellencamp’s discography. Only two other Mellencamp songs have ever been selected by the Random iTunes Fairy, one from Human Wheels and one from Scarecrow. Better albums than this one, for sure.

Continue reading

Song of the Day #4,894: ‘Ain’t Got You’ – Bruce Springsteen

I wasn’t really aware of Bruce Springsteen as a career artist when I was 15 years old, the year 1987’s Tunnel of Love came out.

Of course, I was aware of the runaway smash Born in the U.S.A. (1984) from its radio and MTV airplay, but I had no concept of his prior work or his importance to the rock music landscape. And this album missed my radar entirely until years later.

Continue reading

Song of the Day #4,888: ‘Walken’ – Wilco

Here’s a track from Wilco’s sixth studio album, 2007’s Sky Blue Sky. Despite its title, it is not about Christopher Walken.

I’m a big fan of Wilco’s early releases, but for some reason they dropped off my radar after 2001’s wonderful Yankee Hotel Foxtrot. They’ve released seven albums in the two decades since and I don’t think I’ve heard any of them all the way through.

Continue reading

Song of the Day #4,887: ‘Can’t Cry These Tears’ – Garbage

After two excellent electronica-fueled alt-rock albums, the band Garbage released 2001’s Beautiful Garbage and evolved their sound in interesting ways. Today’s song is a great example.

‘Can’t Cry These Tears’ is the band’s stab at a Phil Spector-style production, marrying 60s pop with their own electro-grunge aesthetic.

Continue reading