The songs of Bruce Springsteen had grown steadily darker over the albums Darkness on the Edge of Town and The River, but with the release of his sixth album he mined his bleakest territory yet.
1983’s Nebraska is as desolate and stark as the landscape pictured on its black-and-white cover. Its songs tell the tales of killers and thieves, men and women whose hope for redemption is fading like the eerie glow of a dying sunset.
Paul Simon’s Hearts and Bones carries a lot of baggage but I wasn’t aware of any of it when I first heard the album. I didn’t know it was a Simon & Garfunkel reunion album gone bad, or that it was a critical and commercial flop that seemed to derail Simon’s solo career.
My first exposure to the songs on this album came during a concert in the early 90s. I was familiar with everything Simon played that night except for two gorgeous, musically ambitious ballads — one called ‘Hearts and Bones’ and one called ‘Train in the Distance.’
Following the success of their Central Park reunion show, Paul Simon and Art Garfunkel embarked on a world tour in 1982 and ’83. Riding the high of those performances, the duo headed back into the studio to record their first album together in 13 years.
The record had a working title of ‘Think Too Much,’ named after a pair of songs in its track list.
I’m wrapping up my week of opera arias with my very favorite — ‘Che gelida manina’ from Puccini’s La Boheme. As I mentioned on Monday, La Boheme is the one opera I’ve seen in its entirety (Baz Luhrmann’s version on Broadway).
This is among the best-known, best-loved and most referenced operas of all-time (it was the inspiration for Rent and features prominently in Moonstruck — remember Cher’s memorable line, “I didn’t think she was gonna die. I knew she was sick… I mean, she was coughing her brains out, and still she had to keep singing!”?).
I apologize to those who might find fault with my choice of Luciano Pavarotti as the singer of most of the arias I’m featuring this week. As I posted yesterday, my introduction to these songs came from a Pavarotti CD my parents owned, and therefore I will always make that association.
Based on comments I’ve read around the Web, some people are decidedly anti-Pavarotti, dismissing him as overrated because he’s one of the few opera singers who enjoyed a measure of crossover popularity.
