My #4 album of 1993 is Sting’s fourth solo record, Ten Summoner’s Tales. While 1987’s …Nothing Like the Sun holds the title as my favorite Sting album, this one is right up there with it.
An Album of the Year Grammy nominee and triple Platinum seller, this album didn’t produce any runaway hits but it is Sting’s top-selling album. Singles ‘If I Ever Lose My Faith in You’ and ‘Fields of Gold’ reached #17 and #23, respectively, on Billboard’s Hot 100.
I like doing the Decades series because it exposes me to new music I’ve missed over the years, but that’s just half the appeal. I’m equally happy to revisit albums I haven’t listened to in ages and remember how much I love them.
Jackson Browne’s I’m Alive has climbed up my 1993 list to #5, after starting toward the bottom half of the top ten when I first started planning these posts. All it took was for me to listen to the damn thing again.
I’m surprised I’ve never featured a song from Van Morrison’s 1997 album, The Healing Game. Not because it’s a favorite of mine — I don’t think I’ve heard it all the way through since my initial listens — but because I have a clear memory of buying it.
On Wednesday, I recalled my then-girlfriend, Alex, and I buying two copies of Billy Joel’s River of Dreams because we didn’t yet live together. Well, today’s album is likely the first one Alex and I bought after getting married.
Here’s a blast from the not-too-distant past — the opening track of V.V. Brown’s 2009 debut album, Travelling Like the Light. Brown is best known for that album’s breakout single ‘Shark in the Water,’ a song that still gets plenty of play in my family’s musical rotation.
While ‘Shark in the Water’ remains a staple, I haven’t revisited this album in about a decade, despite the glowing review I posted on this very site. Browsing through it now after this song popped up for today’s Random Weekend selection, I find it just as delightful as I did back then.
Liz Phair’s 1993 debut album, Exile in Guyville, is probably the most critically-acclaimed album on my list. In fact, it landed at #1 on Village Voice’s annual Pazz & Jop poll, which aggregates hundreds of critics’ top ten lists.
It will have to settle for #6 on my own list, but that shouldn’t diminish its importance as a trailblazing achievement for the independent rock scene. This album gave a voice to a new generation of young women unafraid to be frank about their sexuality. It still sounds great, too.
Meet Me In Montauk 