Song of the Day #5,058: ‘In His Arms’ – Miranda Lambert

Continuing my ranking of the songs from Miranda Lambert’s new album Palomino

#12. ‘Country Money’

A clever song rich with wordplay about rural entrepreneurs, like “Connie Johnson” with a “farm in Wisconsin” and the “best beef in the cheese state, baby.” The track’s sleek production and chill-out vibe make it a real grower. I could see this one moving up my list over time.

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Song of the Day #5,057: ‘Wandering Spirit’ – Miranda Lambert

Friday, April 29, was akin to a national holiday here at Meet Me in Montauk, as it marked the release of a brand-new Miranda Lambert album.

Palomino is the country superstar’s ninth solo studio album, and her first since 2019’s Wildcard. Last year, she released The Marfa Tapes, a lo-fi collaboration with fellow singer-songwriters Jack Ingram and Jon Randall, an album that — like this one — was inspired by our COVID times.

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Song of the Day #5,056: ‘To Be the One’ – Ryan Adams

My appreciation and affection for Mandy Moore makes me loathe to spend blog time on Ryan Adams, the man who badly mistreated her during their 6-year marriage, even though he released some truly great music before his career was derailed by numerous accusations of misconduct.

So, while presenting a lovely track from Adams’ excellent 2000 album Heartbreaker, I will use this space to advocate for an Emmy nomination for Moore honoring her amazing work in the ABC show This is Us.

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Song of the Day #5,055: ‘Home’ – Foo Fighters

When a Foo Fighters song came up as today’s random iTunes selection, I just assumed it would be loud. I’m a big fan of Dave Grohl, but only an occasional fan of his band because of the heaviness of their sound.

But ‘Home,’ the final track on the band’s 2007 album Echoes, Silence, Patience & Grace, turned out to be something very different, a delicate piano ballad about the longing for a place to be at peace.

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Song of the Day #5,054: ‘Girls & Boys’ – Blur

I’m wrapping up the latest installment of my Decades series with a track from Britpop band Blur’s Parklife, a well-regarded 1994 album that became the band’s best-selling release in their native UK.

My only real exposure to Blur is through 1997’s ‘Song 2‘ (the “woohoo” song; you’ll know it when you hear it), so I was anticipating this album as an opportunity to discover something great.

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