Madonna waited seven years after 2019’s Madame X to release her next studio album, her 15th. That album, titled Confessions II, is a sequel to her celebrated 2005 dance album Confessions on a Dance Floor.
I ranked the first Confessions as my fourth favorite Madonna album, agreeing with the critics and fans alike who deemed it her last truly relevant release.
So, did going back to that well pay off? In my opinion, yes. This is Madonna’s best album since its namesake two decades ago.
Three weeks, 14 studio albums, one icon… today concludes my Madonna deep dive!
As with my first two artist deep dives (Joni Mitchell and Jackson Browne), this one limped to a close as Madonna’s last few albums didn’t approach the quality or impact of her early work.
I guess that’s the nature of the music industry, almost without exception. How many decades can you expect your muse to last?
After nearly three weeks of diving into Madonna’s catalog, we’ve arrived at her most recent album, 2019’s Madame X. Released at the ripe old age (by music industry standards) of 61, this is one of the most stylistically interesting records of her career.
Madonna had been living in Lisbon, Portugal, for a couple of years when she was inspired to craft an album that featured not only the sounds of that country, but of the many cultures with which she had come into contact while there.
Madonna’s 13th studio album, Rebel Heart, dropped in March of 2015. It marked a departure from the club-heavy albums she’d been putting out for more than a decade, leaning more on techno-tinged power ballads.
It was also her best record since 2005’s Confessions On a Dance Floor.
Rebel Heart has a large lineup of producers, both big names and small, including Kanye West, Avicii and Diplo. Nicki Minaj returns to feature on a track. But unlike on previous releases, that laundry list of contributors doesn’t overwhelm the final product.
Madonna followed up what I consider her worst album so far, 2008’s Hard Candy, with 2012’s MDNA, an electronic pop album informed by her divorce from filmmaker Guy Ritchie several years earlier.
After the lackluster results from the star-studded producer lineup of her previous effort, Madonna enlisted a host of lesser-known producers for this album. Most notably, she brought back William Orbit, who helped deliver one of her best albums in Ray of Light. Orbit’s contributions to MDNA are by far its best tracks.
