Lily Allen – It’s Not Me, It’s You

notmeitsLily Allen’s second album, It’s Not Me, It’s You, sticks to the template of her smash debut Alright, Still — cheeky pop songs driven by piano and percussion — but introduces a hit-and-miss element of social consciousness.

That element is most apparent on strong opening track ‘Everyone’s At It’, about the abuse of both illegal and prescription drugs, and ‘Fuck You,’ a shot at G.W. Bush that feels about two years too late. That track, with it’s candy-sweet piano line and infectious chorus, would have made a great break-up song but it sinks fast as political commentary. It almost makes you feel bad for Bush. Almost.

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Song of the Day #67: ‘Littlest Things’ – Lily Allen

Alex brought this up the other day and I told her I’d put it on my blog, so here I am being true to my word.

It’s funny how some British artists completely mask their accents in song while others sing it like they speak it. Is this a deliberate choice in either direction? Or is it the luck of the draw? And if it is a deliberate choice, in which direction?

In other words, do the non-accented singers (like, say, Bono) go out of their way to sound “American,” perhaps in the interest of U.S. sales? Or do the accented singers (like today’s choice, Lily Allen) play up their natural accents in song for effect?

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