Song of the Day #4,051: ‘Hey Hey What Can I Do’ – Hootie and the Blowfish

Hootie and the Blowfish followed up their third album with a collection of covers titled Scattered, Smothered and Covered, a name they borrowed from a Waffle House advertisement.

The band rolls through 15 tracks of enjoyable bar rock, mostly covering artists I don’t know, though they do include tracks from R.E.M., The Smiths, Roy Orbison and Led Zeppelin (today’s SOTD, one of the album’s standout tracks).

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Song of the Day #4,050: ‘ What’s Going On Here’ – Hootie and the Blowfish

While I did buy Hootie and the Blowfish’s 1996 sophomore effort, Fairweather Johnson, when it was released, that marked the end of my fandom. Like most of the world, I tuned out after that.

So their third album, 1998’s Musical Chairs, is completely new to me. And that’s a shame, because after a couple of listens, and despite the major hits on their debut, I think this album is better than either of the first two.

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Song of the Day #4,049: ‘She Crawls Away’ – Hootie and the Blowfish

Back in 2012, I posted a track from Hootie and the Blowfish’s 1994 smash Cracked Rear View, marveled at the meteoric rise and just-as-quick fall of the band, and suggested that “it’s about time it became cool to like Hootie again.”

I guess I was on to something. The band is currently packing arenas on a reunion tour, and recently the New York Times’ pop music critic Jon Caramanica published a piece titled ‘Hootie & the Blowfish, Great American Rock Band (Yes, Really).’

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Song of the Day #1,599: ‘Only Wanna Be With You’ – Hootie & The Blowfish

Of all the songs I’m writing about over the next couple of weeks, this throwaway pop hit by Hootie & The Blowfish is the one that I most felt was written with me in mind.

In 1994, I was a couple of years into my relationship with the woman who would become my wife, and this song became our unofficial anthem because it so eerily described us.

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Song of the Day #1,340: ‘Hold My Hand’ – Hootie & the Blowfish

Best 90s Artists – #3 – Hootie & the Blowfish

Hootie & the Blowfish’s Cracked Rear View was the best-selling non-country, non-soundtrack album of the 90s. That seems like a lot of qualifiers, I know, but coming in fourth to Garth Brooks, Shania Twain and The Bodyguard isn’t too shabby.

Cracked Rear View sold more than 16 million units, a number unimaginable today. Consider that Adele’s current amazing yearlong streak has amounted to about 7 million sales and you’ll get an idea of how much different the landscape is now.

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