In the words of Jack Horner (Burt Reynolds) in Paul Thomas Anderson’s Boogie Nights, “This is it. This is the one they’ll remember me for.” Of course he was talking about a porn film, but I imagine Billy Joel feels the same way about his 1977 classic The Stranger.
The album contains only nine songs but just about every one is a classic. The first seven are undeniably so: ‘Movin’ Out,’ ‘The Stranger,’ ‘Just the Way You Are,’ ‘Scenes From and Italian Restaurant,’ Vienna,’ ‘Only the Good Die Young’ and ‘She’s Always a Woman.’ But the less ubiquitous final two tracks — ‘Get it Right the First Time’ and ‘Everybody Has a Dream’ — are just as strong.
Turnstiles is Billy Joel’s first truly great album. Featuring such classics as ‘New York State of Mind,’ ‘I’ve Loved These Days,’ ‘Summer, Highland Falls,’ ‘Say Goodbye to Hollywood’ and ‘Miami 2017’ (which I 
Joel’s third album, Streetlife Serenade, is for me his least memorable. The only two songs I really know from it — ‘Los Angelenos’ and ‘Streetlife Serenader’ — were featured on the excellent live album Songs in the Attic and those versions top the ones found on this LP.
Joel’s breakthrough album, Piano Man, is probably best remembered for the tune that gave it its title. ‘Piano Man’ is indeed a great song, but it’s become a cliché. Has there been a write-up of Billy Joel in the past 36 years that hasn’t referred to him as a “piano man?”
My latest theme week will be a special expanded edition that spans 12 days and covers all of Billy Joel’s studio albums. This should be a nice stretch for my regular readers — all big Billy Joel fans — especially after the Rufus Wainwright theme of a couple weeks back.
Meet Me In Montauk 