Song of the Day #3,269: ‘Diane Young’ – Vampire Weekend vs. Ben Folds Five

Two innovative indie bands face off today in Round Two of Montauk Madness.

Vampire Weekend got here by defeating Pink Floyd with 70% of the vote. Ben Folds Five had a slightly harder path, taking down Aimee Mann with 60%. I voted for Vampire Weekend and against Ben Folds Five in the first round, but would have reversed those votes had they switched their opponents. Continue reading

Song of the Day #2,329: ‘Away When You Were Here’ – Ben Folds Five

bff_sound_life_mindAs my recent list of top 20 albums of the decade so far was wrapping up, my brother-in-law asked me if I’d forgotten to consider Ben Folds Five’s The Sound of the Life of the Mind.

For a moment, I thought I had. So I went back to my notes to see exactly how things shook out.

Turns out the album was in the 21st spot, bumped out of the countdown when I decided to make a space for Adele’s 21, which I had forgotten when first compiling the list.

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Song of the Day #2,137: ‘Sports & Wine (Demo)’ – Ben Folds Five

bffBen Folds is one of my very favorite artists in part because he’s a master of both the melancholy and the manic. For every subtle, soft-hearted piano ballad you have an off-the-tracks ivory crasher.

‘Sports & Wine,’ from Ben Folds Five’s self-titled debut, is as light on its feet as anything the band produced. The studio version (my Song of the Day #873) gives each of the band members a chance to shine, especially Darren Jesse on drums.

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Song of the Day #2,124: ‘Emaline (Live)’ – Ben Folds Five

ben_folds_fiveWhen picking my five desert island songs, or however you want to characterize this list of essential tracks, I knew I had to include a Ben Folds Five tune.

The harder question was which one.

Something from the debut album — ‘Jackson Cannery’ or ‘Philosophy,’ perhaps, or ‘Alice Childress’? Or one of the lush standouts from their sophomore effort — ‘Selfless, Cold and Composed’ or ‘Missing the War’?

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Song of the Day #2,108: ‘Kate’ – Ben Folds Five

whateverOn a film podcast I listed to recently, the hosts discussed Sight & Sound‘s decision to no longer let critics combine The Godfather and The Godfather Part Two into one entry when submitting their “ten best films of all time” lists.

It’s no doubt the correct decision. It’s patently unfair to let two masterpieces join forces in facing off against individual films. But they tell such a potent and tragic tale together that you kind of want to bend the rules and just go with it.

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