Song of the Day #1,637: ‘Simple Song’ – The Shins

port_of_morrowTop Songs of 2012 – #2

My second favorite song of the year comes from my second favorite album, The Shins’ Port of Morrow. Singer/songwriter James Mercer outdid himself on this album, shedding the backing musicians who’d accompanied him on the previous Shins albums then crafting the band’s best work yet.

Though Port of Morrow‘s songs run the gamut content-wise, its finest moment belongs to the most old-fashioned topic of all — the love song.

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Song of the Day #1,636: ‘Jonathan’ – Fiona Apple

the_idler_wheelTop Songs of 2012 – #3

I’ve been pleased to see Fiona Apple’s latest album (after a seven year break) sitting at or near the to of one critic’s list after another.

The Idler Wheel… is a dark and difficult record but a deeply rewarding one. It epitomizes what it means to create art through popular music and it’s the best album I heard all year.

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Song of the Day #1,635: ‘Why Am I the One’ – fun.

fun_some_nightsTop Songs of 2012 – #4

Some Nights, the sophomore album by New York City band fun., was one of the most creative and dynamic releases of the year, a blend of indie rock and Queen-inspired bombast that never pauses to take a breath.

The big hits on Some Nights were the millennial anthem ‘We Are Young’ and the epic title song, with its fantastic multi-track harmonies and military drum beat. But my favorite song on the album is a deeper cut.

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Song of the Day #1,634: ‘Jericho’ – Rufus Wainwright

out_of_the_gameTop Songs of 2012 – #5

Contrary to the title of his latest album, Out of the Game, Rufus Wainwright got very much back into the game this year with his first pop release since 2007.

His last album was 2010’s All Days Are Nights: Songs For Lulu, a collection of somber ballads for piano and vocals that was very much informed by the sickness of his mother, who died just before its release.

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Song of the Day #1,633: ‘How Long Must I Wait For You’ – Joe Jackson

joe_jackson_jumpin_jiveFifteen years before swing music hit mainstream pop culture through bands such as the Brian Setzer Orchestra, Squirrel Nut Zippers and Big Bad Voodoo Daddy, Joe Jackson put out his own album of swing covers called Jumpin’ Jive.

Jumpin’ Jive was Jackson’s fourth album and it was released just three years after his debut. It was followed a year later (in 1982) by Night and Day, his most successful record (which featured ‘Steppin’ Out’ and ‘Breaking Us in Two’).

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