It’s that time of year when critics start rolling out their “best of” lists, with albums usually first out of the gate. Unlike movies, you don’t see a ton of new music releases in December, so it’s safe to lock in your favorites.
Seeing those lists pop up made me realize how little new music I’ve discovered this year. That’s been the case for awhile now, actually, in contrast to years when I’ve had a couple of dozen new releases to consider. I think there are two main reasons for the change.
Today’s song comes courtesy of one of those viral video projects that make the internet so fun. If you navigate past all the online hate speech and misinformation, you might be lucky enough to land on an electric toothbrush performing White Stripes’ ‘Seven Nation Army.’
To be more precise, it’s “two electric toothbrushes, two credit card machines, two typewriters, and one steam iron,” according to the Finnish YouTuber who came up with Device Orchestra, a channel dedicated to music covers performed on household items.
Apparently Harry Styles also felt that ‘Songbird’ was a fitting tribute for the late Christine McVie, because he performed the song during a concert in Chile last week.
Styles has been a vocal fan of Fleetwood Mac for awhile, and a collaborator and friend to McVie’s bandmate Stevie Nicks, so it’s no surprise he felt the need to honor her at his first live performance following the announcement of her death.
Last week, Fleetwood Mac’s most prolific member, Christine McVie, passed away at age 79 following a long bout of poor health.
McVie wrote or co-wrote the lion’s share of the band’s songs, including some of their most enduring classics — ‘Say You Love Me,’ ‘Over My Head,’ ‘You Make Loving Fun,’ ‘Everywhere,’ and ‘Don’t Stop,’ to name just a few.
Since his 1999 debut, Brad Paisley has been reliably releasing albums every year or two. Today’s SOTD comes from his third studio album, 2003’s Mud on the Tires, one of my favorites.
I haven’t thought about Paisley in awhile, and it just occurred to me that it’s been five years since his last release. 2017’s Love and War was decent but unspectacular, and just the sort of record I’d like to see topped with a return-to-form collection of bangers.
Meet Me In Montauk 