Song of the Day #3,746: ‘Now That I’m Older’ – Sufjan Stevens

I don’t have much patience for songs like this one from Sufjan Stevens’ 2010 album The Age of Adz.

This reminds me of Radiohead post-OK Computer. Many critics would call that a great thing, but I think Radiohead was just swell right through OK Computer and then turned into total garbage.

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Song of the Day #3,740: ‘Before the Calm’ – Witness

Bow your heads in remembrance of the English band Witness, permanent residents in the wastebin of short-lived bands with tremendous untapped potential.

I’m more familiar with Witness’ sophomore album, Under a Sun, than I am with their debut record Before the Calm. I’ve written about Under a Sun a few times, always bringing up how I discovered it after hearing it playing in a record store.

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Song of the Day #3,739: ‘Rare Bird’ – Toad the Wet Sprocket

It’s been five years since the release of Toad the Wet Sprocket’s reunion album New Constellation and I’d say they’re overdue for a follow-up. Sure, fans had to wait 16 years between their pre-breakup album Coil and this one, but we’re not gluttons for punishment.

As I’ve written before, Toad the Wet Sprocket is my favorite 90s band. They released five excellent albums spanning that decade before splitting, including a couple that were the soundtrack to the early years of my relationship with my wife. So I have an emotional tie to their music in addition to really digging their sound.

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Song of the Day #3,733: ‘El Macho’ – Mark Knopfler

Mark Knopfler’s 2000 album Sailing to Philadephia remains one of the best records of that decade. Every single track is excellent.

This is the first time a song from this album has popped up on a Random Weekend, though this is the fifth of its 13 cuts to feature on the blog. If you don’t know the album, I can’t recommend it highly enough.

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Song of the Day #3,732: ‘Here Comes My Baby’ – Ron Sexsmith

‘Here Comes My Baby’ was written by Cat Stevens in the late 60s and first released as a cover by a band called The Tremeloes in January of 1967. Their version landed on both the U.K. and U.S. charts.

According to an uncited (and therefore quite dubious) tidbit on The Tremeloes’ Wikipedia page, the band was signed by their label (Decca) over another English band, The Beatles, who were deemed a bit too far away in Liverpool.

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