Here’s one more track from Jason Isbell’s The Nashville Sound to soundtrack my family trip to Nashville.
Isbell is the rare left-leaning country artist (though refreshingly less rare than even a decade ago). This song, like several tracks on The Nashville Sound, is a reaction to the 2016 election and what it says about the state of America.
My family is in Nashville for the next few days, turning my wife’s work trip into a quick vacation. Some of my favorite artists either live in or have passed through Nashville, but I don’t think we’ll be lucky enough to catch any of them live.
Jason Isbell is a new addition to that stable of favorites. His 2017 album The Nashville Sound is one of the best I’ve heard in recent years.
Today marks a special occasion for Meet Me In Montauk. It’s been exactly ten years since I posted my first Song of the Day.
I’m proud to say I have not missed a single day during that span. Occasionally I have handed the reins to a guest writer or presented a song without commentary, but a new post went up on every one of those 3,652 days.
Ariana Grande’s new album, Sweetener, is still a month away, but she just dropped one of the more impressive and aggressively bizarre videos I’ve seen in awhile. It’s kind of the apolitical pop diva version of Child Gambino’s This is America in that its every frame invites dissection.
The premise of the song ‘God is a Woman’ is that Grande’s sexual prowess will make her lover believe that, indeed, God is a woman. The video depicts Grande in a series of visually arresting scenarios that symbolize this divine status.
I was a latecomer to 2008’s Mamma Mia!, watching it for the first time last December.
My initial reaction was confusion over how such a wildly uneven quirkfest could be beloved by so many. But I recognized the film’s charms, especially the irresistible ABBA songs and Meryl Streep’s exuberant, full-hearted performance.
Meet Me In Montauk 