‘No Tears Left to Cry’ doesn’t address that incident specifically, but it is about moving on from a negative experience and finding your salvation in sweet dance pop. So just about the perfect comeback tune for the pint-sized diva.
It took me many years to finally embrace pop music. I realize this every time a classic Madonna song plays on the radio and I think to myself “this is damn good” while recalling my utter disdain for all things Madonna when she actually mattered.
Failing to appreciate good pop music is like saying a comedic film is somehow innately inferior to a dramatic one. I was probably guilty of that for a long time, too.
Among them was Ariana Grande’s Dangerous Woman, which included the hit title song as well as ‘Side By Side,’ today’s SOTD ‘Into You’ and ‘Be Alright.’ Those are the songs that hit radio, but the album is solid start to finish.
Somehow, despite a lot of effort, Grande herself remains relatively unsexy. Maybe that’s due to her hamster-like size, or the lingering memory of her more innocent Nickelodeon days. But she dresses provocatively and surrounds herself with full-grown adult women and gives it her best shot.
Britney Spears and Christina Aguilera made the move in the early 2000s. Demi Lovato and Selena Gomez did it in the past couple of years. And now it’s Ariana Grande’s turn.
When I heard ‘Focus,’ the latest single from Ariana Grande, I told my daughter Sophia I might go ahead and buy her latest album, My Everything, because this was the fourth or fifth enjoyable track I’ve heard from it.
Sure, it’s a rehash of ‘Problem’ (with Jamie Foxx handling the spoken word chorus accompaniment this time around) but ‘Problem’ is friggin’ great.
Sophia pointed out that ‘Focus’ is actually the lead single from a new Grande album — titled Moonlight — due out in the next few months.
‘Problem’ – Ariana Grande
If I weren’t such a radio-averse music snob, this would probably be my song of the year. It’s a perfectly crafted piece of ear candy — a whole party in three minutes.
Ariana Grande’s voice goes a mile high and an inch deep, and that’s exactly what this song requires. The staccato horn fills serve as a sublime introduction to the verses, and the whispered chorus is a stellar left-field touch.