Song of the Day #1,984: ‘Fools Gold’ – Fitz & The Tantrums

fitz_more_than_just_a_dreamBest Songs of 2013 – #10

Kicking off the top ten of my favorite 2013 songs is a track my wife discovered using Shazam when she heard it playing over a department store loudspeaker.

She has a knack for knowing instantly that she loves a song. I’m the opposite… it sometimes takes me a three or four listens before I have a clue.

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Song of the Day #1,983: ‘La Isla Bonita’ – Madonna

41_birthdayLast year, my 40th birthday fell on a Random Weekend and I took advantage of the occasion to spin the wheel and dial up a song that would have special meaning for the day.

I wound up with Johnny Cash’s cover of Nine Inch Nail’s ‘Hurt,’ a powerful and moving song sung by an old man near the end of his life.

It felt like an appropriately weighty selection, if a little morose.

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Song of the Day #1,982: ‘Matter’ – Josh Joplin Group

joshjoplinThese are the Random Weekend selections I most enjoy — little blasts from the past that give me an excuse to catch up with an artist I’ve long ago forgotten.

Josh Joplin Group made a (very) minor alternative splash at the turn of the millennium, releasing an album called Useful Music that is among the better examples of that late 90s alt-rock sound.

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Song of the Day #1,981: ‘Pretty Saro’ – Bob Dylan

dylan_another_self_portraitBest Songs of 2013 – #11

Another Self Portrait, the latest installment of Bob Dylan’s great Bootleg Series, goes a long way toward redeeming Self Portrait, widely considered Dylan’s worst album.

Or at least it makes you wonder about the album Dylan might have released had he gone in a different direction.

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Song of the Day #1,980: ‘A Lot Like Magic’ – Josh Rouse

josh_rouse_happiness_waltzBest Songs of 2013 – #12

Here’s the Josh Rouse song I alluded to during the most recent Random Weekend.

Rouse has always reminded me of Paul Simon, even before he started dabbling in exotic rhythms. He has a similar knack for infectious melodies, usually based around an acoustic guitar with occasional horn flourishes. Stylistically, much of Rouse’s discography could fit comfortably on Simon’s early solo albums.

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