One of the most popular uses of AI in the music space is the resurrection of dead artists. This technology allows us to hear (or at least pretend to hear) new material from singers who were sadly silenced. This is particularly poignant when applied to those who died young.
Jeff Buckley was just 30 when he drowned in 1997 having released only one studio album (1994’s wonderful Grace). Several posthumous releases have attempted to capitalize on his popularity, which is just a pre-AI form of exploitation. I’d argue that the AI efforts are less cynical because they aren’t rooted in capitalism.

