Concluding a countdown of my favorite albums of 2005…
#1 – Nashville – Josh Rouse
Two years ago I was all set to name this album my #1 of 2004 when I realized I had mis-dated it. I ended up posting Taylor Swift’s latest single as a placeholder instead.
Well, during that time I made it through ’75, ’85, and ’95, and now I’m back to finally sing the praises of Josh Rouse’s Nashville — the best album of this or pretty much any year.
I’m not a big Indigo Girls fan — they’re too studied and too repetitive for my taste — but I have to give props to their 1992 album Rites of Passage.
On their fourth album, Emily Saliers and Amy Ray introduced a host of new sounds, including strings and exotic percussion, to add muscle to one of their strongest batches of songs.
I’m entering my second week of songs that have personal meaning for me — a quality that is extremely rare in the music I listen to. Tellingly, many of these songs aren’t particular favorites of mine… the personal connection clearly isn’t that important when it comes to my enjoyment and appreciation of good music.
Last week’s songs all focused on the life cycle of a relationship… from adolescent romance through marriage, kids and ultimately death. This week’s songs are less unified in theme but they do seem to share a certain melancholy (surprise!) quality and most of them deal with some combination of nostalgia and regret.
Josh Rouse is a great example of a genome artist. He didn’t open my eyes to something new or expand my musical horizons. He just landed right in the sweet spot of my established preferences.
He’s a little bit ‘Pure Pop,’ a little bit ‘Folk Rock Derivative,’ with a dash of ‘Melancholy’ for flavor. He’s Paul Simon (both pre- and post-Graceland) crossed with a more upbeat Elliott Smith and a less glam The Smiths.
Josh Rouse has a way with closing tracks. He’s aware that an album should ebb and flow, and that you shouldn’t be able to confuse the first song with the last.
He tends to favor a quick start and a slow finish, with emotional peaks and valleys in between. This is one of just many ways to sequence an album, but it’s an effective one, and one he has returned to again ad again.
Meet Me In Montauk 