Closing out my week of songs favored by my daughter Fiona is another 80s hit, Elton John’s ‘I’m Still Standing.’ This one didn’t come courtesy of her neighborhood friend, however, but through an animated film.
Specifically, the 2016 movie Sing, which features a group of animals competing in an American Idol-style singing competition.
It’s time for everybody to admit their age, as Day 19 of the 30 Day Music Challenge calls for ‘A Song From the Year You Were Born.’
In my case, that’s 1972, and I had quite a list of impressive works to choose from. Some of my favorites include Jackson Browne’s ‘Doctor My Eyes,’ The Rolling Stones’ ‘Tumbling Dice’ (and all of Exile on Main Street, for that matter), the Eagles’ ‘Peaceful Easy Feeling’ (already used in this game), and Al Green’s ‘Let’s Stay Together.’
I’m far from an Elton John completist. I own only a handful of his albums and I’m really familiar with just two of them — Honky Chateau and Madman Across the Water.
One album I’d like to know better is 1983’s Too Low For Zero. It comes highly recommended by my brother-in-law and features the excellent hit singles ‘I’m Still Standing’ and ‘I Guess That’s Why They Call It The Blues’ in addition to today’s SOTD and the title track. Continue reading
This is the first real heavyweight battle of Round One of Montauk Madness: Elton John vs. Paul Simon. A couple of musical geniuses in their 70s who have written some of the most memorable songs of the last 50 years.
‘Your Song’ vs. ‘Me and Julio Down by the Schoolyard.’ ‘Levon’ vs. ‘Still Crazy After All These Years.’ ‘Tiny Dancer’ vs. ‘Graceland.’ (I should note here that this matchup includes only Paul Simon’s solo work… Simon & Garfunkel received their own spot in the tournament).
Elton John’s third album, Tumbleweed Connection, received some of the best reviews he’d ever get. The album isn’t chock full of hits, though ‘Burn Down the Mission’ became a concert staple through the decades.
This is a concept album about the West, leaning on the country and blues genres and schewing simple verse-chorus-verse structure for a more experimental songwriting style.
I’m still in awe of the gaudy stats amassed by Elton John’s revisiting of ‘Candle in the Wind’ in the wake of Princess Diana’s death. As I mentioned in this week’s post about Adele’s ‘Hello,’ ‘Candle in the Wind (Goodbye England’s Rose)’ is the best-selling single of all-time.
Strictly speaking, it’s the best-selling single since the 1950s, when the singles charts began, but the Guinness Book of World Records gives the overall title to Bing Crosby’s ‘White Christmas,’ released in 1942.
The other day I made an unlikely comparison between Jimmy Buffett and Elton John. Both artists, I argued, have put out a dozen or more excellent songs — songs that endure after decades and are among the most moving ever committed to record — but both have also released so many albums over the years that the majority of their work is completely foreign to me.
Can it be that all of those unheard albums are filled with songs just as good as ‘Tiny Dancer,’ ‘Mona Lisas and Mad Hatters,’ ‘Come Monday, ‘Margaritaville’ and the rest of the classics? Or did these guys strike gold once or twice per album and I’m better off just knowing the hits?
Probably somewhere in between.